
Acting
Ann Dusenberry (born September 13, 1953) is an American film, television, and stage actress. As a young child Ann’s desire to work in the theatre was deeply nurtured at the local YWCA in Tucson, Arizona where she studied classical theatre with Mary MacMurtrie, performing in plays twice a year until she was 14. She came west to Los Angeles to complete her bachelor’s degree in theatre arts at Occidental College. With 8 years of summer repertory theatre at Occidental and her degree in hand Ann made her foray into Hollywood. She auditioned at Universal Studios and secured a position as an actor under contract there. Between 1976 and 1980 Ann was seen in most every television show Universal made, including ‘Remington Steele’, ‘Simon and Simon’, ‘Murder She Wrote’ and ‘Matlock’. Ann starred in Universal’s made for television mini-series “Little Women” and several other films for TV. While under contract with the studio Ann co-starred in “Jaws II”, and was loaned out to other studios to star in their films. Those films include “Cutter’s Way” with Jeff Bridges and “Heartbeat” with Nick Nolte and Sissy Spacek. Her most memorable television series was “Life with Lucy” in which she played Lucille Ball’s daughter. While in L.A., Ann starred at the Los Angeles Theatre Company in Israel Horowitz’ “Strong Man’s Weak Child”, and Derek Walcott’s “Viva Detroit”. Before moving to Santa Barbara Ann went back to school to study psychology and received her MA in Marriage and Family Therapy. Ann then put her career on hold, married Brad Fiedel, a film composer, and became mother to two girls, Alixandra and Zoe. As her children have grown, Ann has ventured back into the theatre in Santa Barbara performing at the Garvin Theatre in “You Can’t Take It with You”, and at the Jerkowitz Theatre in “Anton in Show Business”. Ann has enjoyed working with young people in the theatre here in Santa Barbara. She has directed and produced plays at the Waldorf School that include “Romeo and Juliet”, “The Importance of Being Ernest”, “Much Ado About Nothing”, A Comedy of Errors” among others. Ann is currently serving as Artistic Director of Actors’ Conservatory Theatre in Santa Barbara where she lives.

Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.

Two couples face the possibility that their infant sons, both born on the same day, were inadvertently switched at the hospital, and a chain of revelations and decisions threatens both families.

Alex Cutter is a boozy, belligerent and deeply cynical Vietnam veteran whose encounter with a landmine during the war has left him minus an eye, a leg and an arm. When his drifter playboy friend Richard Bone is falsely accused of murder, Cutter sets out for revenge in his own inimitable style.

A former priest, now an exorcist, battles the satanic forces that are threatening the students at a girls school.

Melinda comes to Washington DC to visit her friend Debbie, and to find a job in government, where she hopes to do her part to make it better. She gets a lower echelon administrative position at the Pentagon, and finds things pretty slack. Her boss seems to be more interested in getting into her pants than trying to find lost data on the Russians. Melinda resists his advances and begins working her way up in the Pentagon, finding subtle ways of getting her policies implemented by manipulating the slovenly males that populate the Pentagon, including finding a way to defuse the mounting conflict with the Russians

Don Johnson stars as Elvis Presley in this made-for-TV true story about The King's love affair with Linda Thompson (Stephanie Zimbalist), a young beauty pageant contestant who was his live-in girlfriend and traveling companion for the last four years of his life. The story begins with their first meeting and traces their years together when Thompson tried to keep Presley off drugs in the last years of his career.

A middle-aged man suffering from boredom selfishly walks out on his wife and family in search of excitement and adventure. Before he snaps out of his male-menopause moment, he has a brief affair with a much-younger woman named Jennifer.

A parody of film genres composed of three shorts, spoofing personal growth films, glossy soap operas, and police stories.

Struggling actress accepts high paying job to play a rich heiress committed in a lunatic asylum, not knowing she's really being set up as a surrogate for the real girl who'd been murdered.

A "world-class screw-up" private eye finds his world and his attention changed when he is reunited with his estranged 11-year old son.

