Mero, a skilled shipyard worker, is a single father. His son Lorenzo, born from a relationship with an Albanian girl, is his only reason for living. The father dreams that the boy will become a champion boxer, to make up for his own anonymous career as an amateur in the ring. This is why he puts him through a tough training program, teaching him day after day to throw punches and protect himself from life's low blows. The balance of this relationship is disturbed by the return of Lorenzo's mother Denisa and by the son's meeting with young Ana. Mero's trials are not over and he must face up to pain, his prejudices and the remoteness of Italy's north east.

Claudia, a single bored Milan travel agent in her thirties, takes evening classes in Russian and tries to get to know her teacher Boris from Kiev. Boris says that he is reluctant to get involved with his student, but asks Claudia to put up his beautiful Ukrainian cousin Olga for a few days while he is away on business. The women get along quite well, but Claudia is distressed when Olga disappears without taking her suitcase, money or passport.

The film depicts the first flaming signs of love in human life. The characters are all ten years old and attend the same hockey and figure skating club in a small village set among the Italian Alps. The theft of a medal will trigger an adventurous escape to Moscow, where our six main characters will learn the first skirmishes of love and find new fiancés.

Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.

In the mid-20th century, in a forested valley between Italy and Yugoslavia, a stingy widower befriends a young woman and helps her depart across the ocean to find there a better life. A chance encounter gives rise to a dreamy parable on loss, loneliness and the power of imagination.

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

United by an uncompromising struggle as members of the infamous 1970s far-left terrorist group Prima Linea, fugitive couple Sergio and Susanna have become increasingly alienated from the real world. Their luck runs out when Susanna is captured and thrown in jail. Putting his life on the line, Sergio embarks on a radical plan... Loosely based on the memoir by Prima Linea's 'commander' Sergio Segio.

While looking for new tenants for his seaside villa, surrounded by a big garden, Andrea Ricoli, a 50-years old architect, meets Rossana, a newly 40-years old, anaesthesiologist at the local hospital, and married to Riccardo, ten years younger than her: he's an aspiring writer, temporarily employed as a salesman at a local shoe store. During an eventful New Year's Eve, Andrea introduces Riccardo to a Maghreb restaurant owner - who is interested in restoring an attic apartment - and his lovely sister Hikma. Months go by. Andrea discovers that Hikma is pregnant with Riccardo's child, while she's struggling with her old-fashioned, fundamentalist brother's mentality. He offers to help the couple and let them stay with him in his villa. Teaching him how to care for his garden, the young Hikma reminds Andrea of his wife Sofia, who passed away right there four years earlier, in unclear circumstances...