Baijnath alias Baiju is a slacker, trouble-maker, unemployed, and a flirt. The villagers rally together and force his father to ask him to leave the village, which Baiju does. Baiju's travels take him to the castle of a king, who has a beautiful daughter named Ratnavali. When he sees Ratnavali, he is smitten by her beauty and falls head over heels in love with her.

The happenings of one night. A young heiress, on the run from her murderous uncle, roams the streets of Bombay where she runs into a series of shady characters. To escape from them, she makes a rendezvous with all of them to meet her early next morning at the Gateway of India, which also happens to be the locale for some covert criminal activity involving her uncle, the idea being to nab the crooks red-handed.

A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).

This is the story of Lord Ram and his years spent in exile with his wife and brother, and also chronicles the end of the demon king Ravan and his family.

The city is rocked by a serial killer who only kills young women at night, so women don't want to step outside the house when it turns dark.

Vrunda is married to Jalandhar who gets involved in a vicious battle with Lord Vishnu. As a war between gods and demons wages, Vishnu earns Vrunda's wrath after her husband is killed by Shiva.

A woman named Purnima (Meena Kumari) is forced to marry a wealthy man, leaving her true love Prakash (Dharmendra) to marry another. When tragedy strikes both families, Purnima and Prakash reunite, but a hidden past and familial jealousy threaten to tear them apart again, forcing Purnima to make an impossible choice.

Childhood sweethearts Gopi and Kishen hope to get married when they are grown up. Gopi dances to the magical tunes of Kishen's clarinet (shenai), and both are virtually inseparable. Years pass by, both have grown up and Gopi's mom, Jamuna, would like Gopi to get married to a young man from Lucknow, by the name of Shekhar, who works for All India Radio. Shekhar visits them, meets Gopi, and approves of this marriage, and asks Jamuna to finalize a day for the marriage. When this news reaches Gopi and Kishen both are heartbroken, as much as Kishen would like to marry Gopi he knows that he is unemployed and poor, and hence not considered a good suitor. Additionally, his mentor and guardian, Raghunath, would like him to marry his daughter, Ramkali, and may ask him to make the ultimate sacrifice by demanding this as his guru-dakshina (teacher's fee). Then the villagers ask Kishen to leave the town as he has brought shame on them all by continuing to meet with Gopi...

The tyrannical Angulimal (Bhushan), a bandit wearing a garland of severed human fingers and who engages in bloody mystical rituals to achieve divine power, eventually succumbs to the Buddha’s teachings. Nimmi played Angulimal’s lover.

Bombay-based Rajesh lives a fairly wealthy lifestyle with his parents, mom - a housewife and dad - a rather parsimonious businessman, named Amirchand. One day while walking on the beach, he comes across a beautiful blind girl named Shivani. He instantly falls in love with her. She also likes him, but understands that they cannot be married. Regardless of this, Rajesh asks his parents to permit him to marry her, to which his mother agrees, but his father refuses. Then Mr. Rai, Amirchand's friend, intervenes, he offers to pay for getting Shivani's eyes tested, and if she succeeds in getting her sight, then and only then can Amirchand permit his son to marry her.