In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.

Confirmed bachelor Lorenzo sees his beliefs about commitment put to the test when a gorgeous Latina deserted by her fiancée forces him to take his place in the romantic trip she had planned.

Tells the story of Sofia (Angie Cepeda), a Colombian college student struggling with immigration issues in LA, who accepts a $50,000 offer to rent her body and soul and become a surrogate mother to a wealthy couple.

Trapped between the living and the dead, Diego de la Muerte fights to rescue his soul from the evil god of death that controls him. But a bigger battle awaits him when the Aztec god demands the soul of Maria, the girlfriend Diego left behind.

Things begin to fall apart for Samy (Ricardo Darín), a longtime television writer on the brink of turning 40, when his midlife crisis starts interfering with his career. Suddenly, his scripts just aren't that funny, and he's considering leaving showbiz altogether. Can a pretty new actress (Angie Cepeda) help him turn his life around? Eduardo Milewicz directs this Spanish-language romantic comedy.

The Peruvian army captain Pantaleon Pantoja, a very serious and efficient officer, is chosen by his superiors to set up a special service of 'visitors' to satisfy the sexual needs of the soldiers posted on remote jungle outposts.

Diego is a doctor so used to working in extreme situations that he has immunized himself to others' pain. He has switched off from his work, his partner and his commitment as a father. Over the course of a disturbing meeting, Diego is threatened with a gun. Hours later, he can only remember the sound of a bang and the strange feeling of having being hit with something more than a bullet. Diego has to take an irreversible decision which will affect his own life and that of his loved ones.

At a conference of dream interpretation, the lives of three people will become inescapably entangled: Beatriz, hired to do public relations for the conference; Alex, a writer for an Internet publication covering the event; and Natalia, an audience member whose revelation of her dream sets off a chain of events that brings together these three otherwise disparate characters. The Hidden is about those unseen, largely unknowable forces that seem to surround us and define our lives. Natalia’s dreams might be expressions of her fears and anxieties, but perhaps they could be messages from some beyond. For Beatriz, what’s “hidden” may be less supernatural than emotions she can barely express or control. Antonio Hernandez deftly navigates the lives and feelings of these three characters, gradually peeling away their self-deceptions and delusions until there’s a remarkable and unexpected final revelation.

José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.

Ana is a rich, repressed housewife. Much to her annoyance, her husband rents out their garden to a soap-opera production, and goes away on a business trip. In her dull solitude, Ana follows the shooting from her window, and soon becomes just as engrossed in the soap-opera as her two maids. When accidentally mistaken for an actress, she ends up being cast for a role -to the great dismay of the other actresses and her maids. The set soon becomes dominated by gossiping, intrigues and blackmail, while the boundary between her real world and the make believe world of soap-operas begins to blur. Ana finds herself entangled in a real life soap-opera all of her own when she tries to get everything back to normal before her husbands comes home.