Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.

After sequestering herself to a small mountain town, an aging actress calls her estranged daughter and granddaughter home for reconciliation and one final celebration.

Big Time, the visual counterpart to Angel Olsen's album of the same name, is the story of light versus shadow told through a non-linear surrealist dreamspace that poses one central dilemma. ‘What lengths must one go through to let go of the past in order to step out of the darkness and accept one’s true self?’ It’s a story that targets deep rooted complexities such as how our unconscious deals with repressed sexual identity, the hardships of letting go of our past selves in order to step into self actualization, and the guilt we hold when dealing with loss.