Acting
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An unexpected inspector drops by a lavish party of a notable family in order to investigate the suicide of a pregnant girl. This breaks the joy and peace of the party which is meant to celebrate a couple's engagement. Everyone claims that they do not know the girl. However, the inspector does find something suspicious there with the help of a diary and a photo. An astonishing truth is gradually revealed: six of the noble family members are closely related to the girl's death.

The film is based on the Founder of Causeway Bay Books - LAM Wing-kee’s experience after he was temporarily released back to Hong Kong after 8 months of detention in Mainland China. LAM was demanded by the authorities to retrieve his computer in the bookstore in Hong Kong, alongside with the information of his customers. Only when he found out that his colleague handed over to him the wrong computer, should he start to think about possibilities besides submitting to authorities from Mainland China. The film re-enacts the events happened in the two days he was allowed to return to Hong Kong and explores LAM’s decision to defy, and refuse to leave his homeland.

In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.

Ho Sau, an undercover agent, has been working with Yau, a drug lord, for years, but his job and family are in trouble.

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms. Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

At the first glance, a crayon drawing appears the very portrait of a happy family, but a closer examination reveals that something is amiss. Lam Tsi-hei is the eldest son of a family that stares darts and hurls verbal abuse at each other, complete with sibling antagonism and resentment bred by thoughts and feelings left unexpressed. Directly a film on a subject fiercely personal and close to his heart, Tsi-hei digs up a crayon drawing from his boyhood. While cherishing the memories of an affectionate bond that skips a generation, he realises he must go hat-in-hand and repair his relationship with his estranged family.

Two men, a suit and tie by day, turn urban strollers at night and loiter aimlessly around the labyrinth of streets, MTR stations, bars and playgrounds, seeking an escapade from responsibilities that weigh heavily on the mind and fatigue that never goes away. A young woman who has all the time to kill goes to movies and private gigs and answers a stream of inconsequential calls. For a doomsday believer who distributes leaflets to ‘help’ non-believer, it’s Apocalypse Now! It’s inevitable their paths cross at some junctures just as the night passes and a new day dawns.

Every time he looks in the mirror, he sees a different person altogether. He’s a man of a million faces except he’s not an actor, but a social pariah who, out of the anguish of an unrequited crush, has entered a pact with the Devil, assuming the identities of other strangers and living the lives of others with just a strange remnant of memory of past incarnations left. Sounds ideal – but what’s the catch? You don’t get to decide what happens, when it happens in life and your soul is condemned to eternal perdition until the next victim is found. Perhaps it’s a small price to pay for surviving in a city driven by greed, where people are seized by an insatiable craving for something – anything – more and better from the cradle to the grave. Contentment is, after all, a myth.

A renowned charity foundation is holding its annual charity party. It’s a glamourous meeting of the foundation’s friends, associates and the city’s most elite socialites. Just as foundation chairman Ko Shing Man is about to give his annual speech to the attendees, Yeung To – the foundation’s chief financial officer - suddenly hangs to his death on the stage. As suspicions surround Yeung’s death, rumors of a missing $200 million charitable donation begin to run rampant, attracting the attention of the masses. The mystery brings barrister Ma Ying Fung and police officer Or Ting Bong together as they form a temporary partnership to uncover the truth behind the foundation’s dealings. Can they expose all the dark truths behind the foundation’s wrongdoings and restore justice?