Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

A kind-hearted young woman is forced to be a maid in her own home. Her luck seems to turn when a royal bachelor comes looking for a wife, but her stepsisters are determined to keep her in her place. Give your New Year a fairytale start with Rossini’s La Cenerentola. Directed by Orpha Phelan, this new production from Irish National Opera unfolds from the pages of a book in celebration of literature, fantasy and the triumph of good over evil. Tara Erraught stars as Angelina alongside Andrew Owens as her Prince Charming. La Cenerentola is presented in partnership with the Bord Gáis Energy Theatre. Irish National Opera is funded by the Arts Council of Ireland.

Renata is obsessed with the love for the 'fiery angel'. Ruprecht, in love with Renata, wants to free her from the madness, but all his efforts are in vain. She goes to the monastery, but here too she is being haunted by the image of the fiery angel. The Inquisition accuses Renata of witchcraft and sentences her to death. Prokofiev's Fiery Angel is one of the outstanding operas of the 20th century. With her production, director Andrea Breth moves the action from 16th century Germany to the sterile environment of a modern psychiatric ward.