Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

A series of live performances, award-winning hit songs and interviews chronicle the life and legacy of one of rock-n-roll's most unrecognized legends, Del Shannon, showing the strong impact, influence and far-reaching effects he's had on the music industry - even years after his untimely death.

Examines and re-evaluates the 60-year history and cultural impact of A Clockwork Orange, as a novel, movie and stage play, with the help of archival content and interviews with important creative figures.

Aided by archival footage and interviews with its key figures, this documentary delves into the history of Argentine rock music from its origins up to the mid-1990s.

Music meets the Mob in this biography of '60s hitmaker and 2016 Rock and Roll Hall of Fame inductee Bert Berns.

Tells the story of the photographers who cemented the image of swinging London and who, through their pictures, irreversibly altered the face of fashion and pop.

Born out of the ashes of Big Star, arguably the greatest cult band of all time, Memphis local Van Duren joined forces with ex-members Chris Bell & Jody Stephens to form a band and become regulars on the 70s Memphis bar circuit. In little time they got the attention of Rolling Stones manager Andrew Loog Oldham, who then started managing Van Duren. Van was tipped to be the next Paul McCartney but instead faded into obscurity. Forty years later, two friends from Australia (a band manager and musician) chance upon the mysterious musician’s lost album. They fall hopelessly in love with the music and set out to discover why Van Duren isn’t a household name.

When modern artists embrace her forgotten album "Just Another Diamond Day," failed U.K. folk singer Vashti Bunyan experiences popularity like never before. This documentary profiles her disappointing career and astonishing resurgence 30 years later. Featuring interviews with Andrew Loog Oldham, Joe Boyd and Robert Kirby, this charming movie follows Bunyan as she takes a nostalgic road trip and prepares for the biggest concert of her life.

This film tells (using modern day interviews and archival footage and sound tapes) the story of how in 1967, while his band The Beach Boys triumphantly toured abroad, Brian Wilson was trying to push the boundaries of conventional pop music with a new follow-up to the Beach Boys' cutting-edge mega-hit, Pet Sounds. The new album was to be called "SMiLE". SMiLE pushed the envelope both musically and lyrically, and was supposed to out-do the Beatles' Sgt. Pepper record. But Brian wasn't able to sell the project to his band-mates when they returned. The project was shelved and Wilson's well-documented decline into depression, drug abuse, recluseness, and obesity had begun. Thirty-odd years later, Wilson announced that in 2004, SMiLE would be performed live in its entirety in London. This film tells the story of a damaged but healing artist bringing his greatest work to light.

Charlie Is My Darling, directed by Peter Whitehead, was the first documentary film about The Rolling Stones. The movie was shot during the band's two-day tour of Ireland on 3 and 4 September 1965, and was completed in the spring of 1966. It received only spotty release in 1966 before being withdrawn, and has seldom been seen since then.