BECAUSE THE REST IS SILENCE reconfigures aspects of Kötting’s previous moving image works, which focus on the idea of place. But perhaps more importantly the potential for temporal disjunction, memory, misremembrance and the persistence of the past within much of his work. An hauntological gadabout inclusive of images and out-takes from his journeying and the films EDITH WALKS, GALLIVANT, LEK AND THE DOGS & WATLING STREET. However, the glue that holds much of the film together is the sound and music gleaned from his INSIDEOUT CD published through Sonic Arts Network many moons ago. Films of memory breed more films of memory. Ultimately Memory begets more memory.

IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to earth. His actions devastate his beloved family and we watch as their world falls apart. A dark and mysterious gardener (Tchili from This Filthy Earth) keeps watch over the family but is powerless to exorcise the curse that he feels has befallen them. Meanwhile the twin sisters (Manon and Capucine) provide light but sometimes macabre relief. The world of IVUL is a world of both fairytale and nightmare with the family manor house and forest landscape providing a compelling backdrop to the story.

Part home movie, part road movie, Kötting's riveting and eccentric film stars his 85-year-old grandmother Gladys - opinionated, bursting with anecdotes and contradictory reminiscences – and Eden, his eight-year-old daughter with Joubert syndrome, as they take a zig-zagging 6,000 mile trip in their campervan around Britain's coastline.

A deliciously eccentric, yet touching portrait of director Andrew Kotting's daughter Eden as a young woman in their tumbledown Pyrennean farmhouse. Last seen in Gallivant (1996) as a plucky kid touring the coastline of Britain with her Big Granny, Eden, now 23, is here shown painting still lifes and singing along to the radio as the seasons ebb and flow around her. Reminiscent of Stan Brakhage's Dog Star Man, this lo-fi marvel features music by Scanner's Robin Rimbaud and a range of voices from Kotting's sound archive to explore notions of nostalgia, memory and place.

The tragic story of two sisters whose lives are disrupted by two men. Amidst a landscape of rural hardship and a community consumed with superstition, events unfurl which threaten their sibling bond.

Director Andrew Kötting and writer Iain Sinclair sail a swan-shaped pedalo from Hastings to Hackney in London in the build-up to the 2012 Olympic Games.

"A post punk piece of pagan sensibility, complete with beastiality buggery and boundless energy. Maniacal filmmaking at its best. He takes his horse with him everywhere." Andrew Kötting

A documentary examining the causes and effects of Joubert syndrome – a rare hereditary brain disorder, which affects both the motor and intellectual development of its sufferers.

As families enjoy the May Day sun at a funfair in a south-east London park, overlooked by the skyscrapers of the financial district, Martin Donegan reads philosophical quotes from Mao Tse Tung on the future of society.

Made with a standard 8 Bolex camera and possibly Andrew Kötting’s first film. Shot alongside a wall in Mottingham with Danny Baker whilst they were still students at Ravensbourne College of Art in Elmstead Woods. Music by Being Karnal, Kötting’s music band with Heilco Van der Ploeug.