The aged rocker Igor works as a journalist and DJ at the "Radio Student" in Ljubljana. He notices that the janitor Miha works for the police, tapping the walls and observing the journalists who are critical of the regime. After a clash with his editor, Igor decides to leave for Greece by his old bike DKW from 1938, via Bosnia and Serbia. Young Rahela joins him on the trip. Traveling through Yugoslavia, Igor becomes involved in unexpected turmoil: Milosevic's "antibureaucratic revolution" starts in Serbia and Vojvodina.

In the video works of Ema Kugler, mythology is inscribed in the rituals of everyday life, this time it is the theme of Hydra with many faces. It is illustrated by individual scenes with actors in leather costumes (the author's creations), which restrict their movement and thus already emphasize the separation of man from nature. The last trace of connection - the ritual relationship between man and bull, which is again based on human cruelty to animals - ends with blood, which on a symbolic level also pervades the whole image.

Urbanity is finally erased by mythical rituals, which is determined by the very title of the video film: menhir, an upright stone block from the Neolithic, which was used for sacral rites. Man and woman are Adam and Eve, created in front of us by electronic transformation (morphing) and marked by blood. This element also marks all other elements of the video image: the murder of an individual by the menhir or trinity (politics, church, army), the bodies of the dancer. Blood, murder and death are overcome by only the second basic element: the stone, which is flooded with blood the very next moment. The fight of natural elements is also served by electronic tricks that turn power holders from flesh and blood into stone and wrong.

A documentary film about the Slovenian filmmaker Boštjan Hladnik.

Experimental feature about two young men trying to make a film.

Oscar runs away from prison only five days before release. He droves off with his girlfriend to Split in a red car, so they could go to Italy and then to America. They meet photographer Jan, and thus their final destination seems every so closer. As police is on their trail, Oscar starts to suspect Jan...

The game of chess as a symbolic and performative practice forms the core of this video, which is essentially determined by staged scenes, reworked mechanical figurines and the performance of the main protagonists. It differs both from the high-tech video spot and fast editing.

Explores the sexualisation and objectification of bodies through images of naked female and male figure. Explicitly and indirectly erotic scenes are followed by at first sensual and later noise music with narration. Black-and-white and colour photography exchange. Merely material perception of the body is additionally stressed with images of a car and a fish, which are forced in the very end of the video.

Bilocation means the residence of the body and soul in two different places at the same time - simultaneously. It is the perfect term for delineating the processes going on in the video medium and for describing the hell and bloody history of Kosovo.

This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte's paintings and documentary shoots of the refugee camps, where Bosnian refugees lived in Ljubljana.