World War II is raging on the Eastern front but the soldier Nikanor has been sent to Siberia: bot as a prisoner, but as the leader of a motley group of entertainers who travel from village to village giving concerts. Still, Big Brother is watching and when the entertainers encounter a strange man in the woods there is trouble brewing. One of the performers falls in love with the mysterious backwoodsman, but the secret service is after him, too.

Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.

At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...

A re-imagination of Japanese Emperor Hirohito’s final days in power as WWII draws to a close.

The world through the eyes of a flower growing on the side of the road. The flower sees how the electric wires are humming, how cars are rushing by, planes are flying by. Accidents happen before his eyes, it rains and the sun shines — all this the flower observes from the side, without interacting with the outside world. But suddenly a car stops on the side of the road, a girl gets out of it. She holds a book with Japanese triplets in her hand and pays attention to the flower...

An old Russian grandmother or "babushka", who took part in the Battle of Stalingrad, sacrificed everything for her children and even sold her house to get money for her grandchildren, is shuttled among those very grandchildren--products of the "new" Russia--none of whom want her to stay with them since she's too much of a "burden" for them.

Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.

One day in the life of a modern St. Petersburg woman, a woman of post-Balzac age, with whom something is happening. Either a spiritual crisis or a momentary obsession...

​Young soldiers in the Soviet Internal Troops are subjected to systematic abuse during their dedovshchina (hazing). The plot unfolds primarily aboard a prisoner transport rail car guarded by a unit of paramilitary conscripts.