1917, the eve of the February Revolution. Kirill Astakhov, a Bolshevik, one of the organizers of the suppressed riot, is transferred from the Siberian Archinsk prison to the Kutuisky stockade. He is accompanied by the warden Stepan Filimonov, who has his own scores to settle with politicians.

A group of semitrailers is moving through a snow storm - and no one doesn't know that there is a spy between the drivers.

A dramatization of the 1919 defense of Petrograd, focusing on Bolshevik leadership and the defeat of White Army forces during the Russian Civil War.

Classic adaptation of the even more classic play by William Shakespeare.

Saint Petersburg, 1858. A group of composers known as The Five meet at Balakirev's. Young Modest Mussorgsky, both a civil servant and a musician, has become a fixture there. He tells about the first opera he plans to compose. Then he goes to the country where he discovers the lowly conditions of the peasants and the bloody conflicts with the rich land owners. He works on Gogol's 'The Marriage', trying to render into music the natural accents of the play's naturalistic dialogue. But his efforts do not pan out. On the other hand, he starts writing his opera on the story of Boris Godunov. The Marinsky Theatre refuses to stage the work. The Five, and Mussorgsky among them, are libeled and the group starts disintegrating. When 'Boris Godunov' is finally performed in 1874, it is a popular success.

A story about Ivanushka the Fool based on classic Russian fairytales.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

The end of the 1950s. The Chinese passenger plane, following the Beijing-Moscow flight, enters a thunderstorm and makes an emergency landing in the Baikal region. In addition to the Soviet citizen Varvara Komarova, all other passengers are foreigners. Using a stop, they explore new cities and get acquainted with the life, work and rest of Soviet people.

The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.