Michel Toofa Pouira Krainer, known as Chief Miko (born 3 April 1959) is a French Polynesian speaker, sculptor, traditional navigator, musician, singer, customary chief and activist. He played a major role in the Polynesian cultural revival, particularly in the revival of Polynesian tattoos. We accompany Chef Miko to choose good wood. This is an opportunity to hear the testimony of his Dusseldorf counterpart, Andreas Dettloff. Dettloff is a German visual artist living in Tahiti for around twenty years, who works on popular culture. The meeting with Chief Miko goes so well that a few days later we go to visit Dettloff at his home.

This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.

Unanimously considered the greatest choreographer Polynesia has known, Coco Hotahota is a dance master. He is one of the rare group leaders, if not the only one, to actually take care of the entire production chain of a show, whether it is writing the theme, writing the songs, composing. , costume creation, choreography. In 1962 he created his troupe, Te Maeva, which in 55 years of existence will have been the most successful troupe in the history of Heiva i Tahiti, and also the largest troupe in terms of number, more than 150 dancers in peak, in the 80s. Today we have the impression that Coco, who has long represented modernity, has become a bit of a reference for tradition. It's the whole contradiction of the character that we also admire for that. This film traces the long history of Te Maeva.