Antonis Katsaris stars as a teacher in the small village of Zante who fights the growing desire of many locals to abandon the village for the big city or other countries. He works hard to organize traditional cultural events, such as outdoor performances of the traditional play I Chrissomalloussa, in order to solidify local values and a sense of identity. The teacher is aided by a young woman, a widow who has just returned from Germany and lives with her father-in-law. Kazan walks away with the film, as his sinister desires for his daughter-in-law are inflamed when he sees that she has fallen in love with the teacher. These developments lead him to whip up protests against the play by conservative locals, claiming that the teacher has changed the traditional story by adding elements of propaganda with the potential of causing peasant uprisings. The result is an unexpectedly violent example of social censorship.

Madeleine, rendered mute after being sexually assaulted as a youth, accepts a lift from a wealthy and sadistic pimp who soon enslaves her into his prostitution racket. Despite her limited means, Madeleine embarks on a bloody road to revenge against her captors.

In an inn in Trieste, Kyveli, wife of a political prisoner of the junta, falls in love with an old student of her husband, who has been distinguished for his activities against the dictatorship. But he will be forced to run away, along with his lover, as they are hunted by the police. Kyveli will go to Strasbourg to present evidence to the Council of Europe, which proves human rights violations in Greece, but the session is postponed and she now lives in a web of fantasies and unfulfilled expectations.

During the night of the big earthquake that shook Athens in 1981, Yannis, a 30-year-old cinephile, falls in love with his best friend Yorgos’ girlfriend who allows him to sleep next to her feeling her breast. Yannis and Eva have to overcome Yorgos’ jealousy as well as the ups and downs of their own affair. Since they all seem to be suffering, they form a trio and manage to live together in harmony for some time but then a well-hidden secret from the men’s political activism in the past is about to hit them like a new earthquake.

Liv, a mercenary, is drawn into a mission to rescue a kidnapped politician. He travels to the volatile Mideast and is assisted by Laura, a translator, where their lives are imperiled.

Newly married to a sexually perverted German millionaire, Siv submits herself to endless degradation before discovering that her husband harbors a diabolical secret.

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.

A singer whose companion hates whites falls for a white U.S. photographer in Sweden.

A fashion photographer and seven models travel to a South American island fortress, ostensibly to do a fashion shoot. In reality, the photographer is a mercenary and their job is to free an imprisoned rebel leader