A couple in love returns to Greece from France and has plans for their future.

Jenny Skoutari, a student and the daughter of a party local commander Kosmas Skoutaris, gets use to visit the private library of - her father's political rival - the shipowner Miltos Kassandris. Kassandris prepares his nephew - and a childhood friend of Jenny - Nikos Mantas, as a candidate for the next election. Mantas' rival has a lead, and is backed by Skoutaris, who is facing financial problems. So Kassandris decides to force Jenny to marry his nephew with a fake marriage, while at the same time financially breaks down her father in order to secure the election of his nephew. This marriage, however, will lead to unexpected situations between the couple..

Eleana is a prostitute who appears to have been abused when she was younger. During her daily encounters with various clients, she meets a young labourer called Christos whom she momentarily tries to develop a normal relationship with. Old habits die hard and she soon hits the streets again but it's too late, Christos has become infatuated with Eleana and plans to marry her. Gradually, the pressure and stress of the situation starts to take it's toll on Eleana's sanity and leads to a surreal, nightmarish climax!

Nikos, a grumpy and clumsy man, is the manager at a shoe factory and he's living with his wife and his niece. Everyone regards him as a curmudgeon, especially his niece who maintains a parallel relationship with Nikos' partner and a client and doesn't want to get married.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

The tragic story of a couple that upset Athenian society at the end of the 19th century. Michail Mimikos (Andreas Barkoulis) is a doctor in the Greek army, and Mary Weber (Aliki Vougiouklaki) is an upper-class girl. The two want to get married, but Mary’s parents want her to marry a rich man. When Mimikos leaves abruptly for Nauplion for professional reasons, he writes her a letter which she never gets, leading to tragic consequences...

Thomas is a good but low intelligence man. He is in love with Urania, a widow, whose stingy husband Sotiris is over a year dead, as the ship he was sailing in, sunk. When Sotiris appears, explaining that he was hiding so as to get the life insurance money. Urania, who already has a love affair, convinces Thomas to murder him, pretending she is in love with him. Thomas indeed tries unsuccessfully. Everything is revealed when Sotiris discovers that the insurance money have been stolen and appears screaming during his memorial service. A trial ensues, where Thomas admits that he is not only an imbecile but 'an imbecile and a half'.

A crook meets a young man, in prison. Assisted by his girlfriend he tries to sell the tiny rock-island, which the young man inherited, to a wealthy American. But the young man falls in love with the American's daughter and...

Journalist Jonis comes to Aegina with his daughter Alice for work, but also for vacation. At the port, Aliki meets Jean, a descendant of a prominent aristocratic family on the island, who does not reveal his true identity to her, but introduces himself as Giannaros, the island's drunkard. At some other point, they will meet again and he will introduce himself as Jean. Alice will think she has discovered Giannaros' twin brother...