Missing the train is very bad. Seeing it leave with your children and those of your friends you had to accompany on vacation is a whole other story ... that of the crazy pursuit from Turin to Sicily of a father and grandfather as different as they are unreliable.

The story of the last 55 days of Aldo Moro, seen from the point of view of his students.

On the gravel bed of a river, two friends are trying to catch some fishes. One of them is feeling anxious, as if something tragic is going to happen. Meanwhile, in a damp cellar, some people - obsessed by their appearance - get familiar with a new, brilliant way to get a perfect body: the Marcy Method! Let's walk down the dark path with these characters, to discover just how far people are willing to go, to look beautiful to the others eyes.

Mario and Netta Show is a quite successful show. Mario is the ventriloquist, Netta is the puppet with whom he shares the scene. Theirs is a complicated relationship, not just on stage.

He is a plain estate agent who lives his uneventful life in the anonymous suburb of an unspecified city. Indeed such a showing of "compulsive ordinariness" conceals his predicament of autistic isolation. Therefore, as he attempts to make up the illusion of an ideal world, he daily puts on a pantomime of the "perfect neighborhood", which is painstakingly staged by a group of paid walk on people. While such an artifice seems to help him fulfill his unexpressed love dream, a harsh overwhelming reality forces him to give up his illusions and eventually get in touch with the imperfect human dimension. The Plastic Cardboard Sonata is a story of urban loneliness, featuring lyric suggestions in the context of a paradoxical frame. By means of an accurate use of silence it sketches out the essence of daily life malaise.

In a remote country house, a girl who is struggling to connect with her family after the loss of her father is visited by a mud monster. As her encounters with the creature become frequent, she begins to suffer from a mysterious illness.

Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…

During a company end-of-year party, Paolo invites his young colleague Matteo to have a drink alone, but the ambiguous game that has been going on between the two men for some time takes a different turn. That night, between his daughter's tears and the New Year's Eve fireworks, Paolo's inner turmoil reaches its limit.