Marion, a Berliner facing child custody and job loss as her ex Felix oversees her factory’s insolvency, scoffs at the idea of a savior, until Robin Hood appears in her kitchen. Believing medieval justice can fix modern woes, he takes on Felix to help Marion.

As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present.

Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.

Best prospects for young Nika Kreschinski: She is an assistant in the PR department of the renowned Seckbach Bank and is engaged to Fritz , the son of the house. But shortly before the planned wedding , the orderly life of the career woman is thoroughly shaken up: her father Herby,an old hippie, appears on the scene because the Seckbach Bank wants to turn his Greek dropout island into an amusement park ...

Hannelore (65) has been caring for her husband Klaus (69), who has dementia, for four years. She is now at the end of her tether. When her neighbour Günther (65) unexpectedly goes away on a trip, Hannelore simply follows him—leaving her husband alone at home. What Hannelore doesn't know is that Günther has just lost his partner to cancer and wants to take his own life in a vacation home on the coast.

It's been five years Martin's family vanished without a trace from a cruise ship. Ever since, the police psychologist is tortured by the thought of his wife having committed a murder-suicide, taking their son with her. He is the only one not willing to believe this. Suddenly, a new lead takes him back aboard the very same luxury cruiser, where once again, a mother and her child have vanished. But this time, the girl reappears - holding a teddy bear that used to belong to Martin's son. Martin soon learns that things are handled differently on the open sea. Not to disturb his passengers' enjoyment of the lavish luxuries of their cruise, the rich owner of the cruiser wants to keep the child out of sight and hides her deep under deck in the quarantine bay. Here, Martin tries to get the traumatized girl to talk to him. But even deeper in the dark underbelly of the ship there is something lurking. And all signs point to a serial killer, just waiting to strike again.