Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves

An adult Martin Roy reminisces about his life in the 1966/67 school year. At fifteen years old and in his last year of junior high school, he breathed, ate and slept hockey. He collected hockey cards, played street hockey with his friends, tried skating and ice hockey for the first time in his life, but was most fascinated with his local national league team, the Montréal Canadiens, and its star player, Henri Richard. He dreamed of growing up and working for the Canadiens franchise. But a more immediate goal was to get tickets to one of their games, using M. Richard and his banker father, Hervé, as possible conduits to that goal.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

The tribulations of two Québec nationalists in the English-speaking world of insurance. A satire that draws its irony from a specific social situation. A typical example of the era's popular comedies based on television and trendy stars, which gave birth to a certain commercial stream in Québec cinema.

In the near future, as humanity prepares to set foot on Mars, Jacob Obus, an elderly musician, takes pride in slowing down time by playing instruments inspired by women's bodies, designed by his friend Arthur. A love triangle develops when Jacob and Arthur both fall in love with Avril, a young photographer. Enter Eugène Spaak, Arthur's father, an inventor and cosmologist who unveils a new theory about man's desire to reach Mars and helps Jacob find the true meaning of life and love.

A philandering wife and a sleazy womanizing con-man team up to off a troublesome father-in-law in this acid-tinged French Canadian black comedy. Leon, the con-artist makes his living cheating Catholic bingo players by hosting bogus religious pilgrimages. He is involved with a woman, but that doesn't stop him from getting involved with the frustrated Sophie who hates living in a tiny apartment with her lazy husband, her ever-gloomy teenage daughter and her husband's demanding, self-centered father, Emile. Sophie is so desperate to escape and start a new life that she convinces Leon to help her kill Emile who allegedly has $150,000 tucked away. The murder is to occur during one of Leon's pilgrimages. He convinces his son Paolo, an ex-con, to assist. Despite their careful planning, nothing prepares the would-be killers for the surprising result.

A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.