Parallel French-speaking version of Warners' "High Pressure" (1932), a comedy satire on fast-talking promoters, crazy inventors, and stock market hype. The story line comes from Kandel's stage play "Hot Money," which had played on Broadway a month or two in 1931, before Warners bought screen rights and changed the title.

In 1917, a French deserter entered the service of German counterintelligence, but Villard (number 33) was a real French spy. Discovered, he is saved by a German spy who betrays her country for love.

During a stopover in Aden, a charming actress is kidnapped by an Arab prince.

Philippe Lambert, an attractive young attaché to the Prime Minister's office, is a man of many female conquests. One of them, Madame Grandbourg, wife of a very influential man, sent him a passionate letter, which he lost at the theater. Marion, the usherette who found it, contacts him to ask him for a "favor" in exchange for its return: to avoid eviction from the family apartment, because of the father, who gardens in every room and constantly floods the downstairs neighbors. At first, Lambert refuses to give in to the "blackmail" and calls in the police to unmask the indelicate woman, but love soon gets in the way...

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

Eugenie, a young girl with a delicate temperament, runs away from the sordid cabaret run by her mother. Helped by a providential coincidence, she became a model in a fashion house on the Champs-Élysées.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

Charles Fouquet, the Minister of Family Affairs, is having a hard time. His wife Olympe, although not that young, is expecting a baby. His daughter Annie, as for her, is pregnant by her fiance. And let's not forget Georges, Fouquet's son, who has seduced Natacha, his close (too close!) collaborator. As if that were not enough, a former mistress of Charles' comes and reveals to him the existence of a son he knew nothing about. But Charles is a man of action and he is not so easily deterred: he WILL take action against this abundance of offspring.