André Gil Mata Movies, TV Shows, and Filmography
André Gil Mata
Directing
Biography
André Gil Mata was born in 1978. Having studied mathematics, he has worked mostly in photography, theatre and film and is one of the founders of the Portuguese photography and cinema laboratory Átomo 47. In 2009, his debut short-film WATER ARK won several awards having been shown in several international festivals, as well as his second short-film HOUSE. GRAVEDIGGER, his third short-film, won the Mèlies d'Argent and CAPTIVITY, his first feature-length documentary won the DocAlliance Award at Cannes, in 2013. Gil Mata obtained his master degree in film direction in 2012, at Lisbon Theatre and Film School and finished his PhD at Film. Factory (Sarajevo) in 2016.
Filmography Movies
Acting
The Damned Yard
In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Inspired by the novel The Damned Yard by Nobel Prize-winning Bosnian writer Ivo Andrić, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata.
Ubu
Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.
Tanganhom
Melgaço, Parada do Monte. The memory of a chance encounter on the border between the real and the imagined, the affection and superstition, has been passed down from generation to generation.
Beard
Caught in time, a trio of prehistoric characters lives around a dolmen. One of them, who is hyperactive, tries to stir his mates emotions with inventions and works of art. A strange object made out of bone, which re frames reality, will trigger greed and envy in them. Super 8 allegorical on Portugal, and the collective behavior of its people.
Labirinto
Director Júlio Bessa, who suffers from "stage fright" will make an introduction to his latest film at Festival de Cinema Luso Brasileiro in Santa Maria da Feira.
The Gravedigger
Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.
Calhau
Three men wash ashore in a forgotten cove, where time seems to have stood still. Surrounded by volcanic rocks and tides, they find themselves confined in a place as beautiful as it is inhospitable. As the days go by, a strange presence begins to insinuate itself among them.
Caronte
The River Douro, in Porto, is the area of the Portuguese maritime territory where most suicides by precipitation occur. Gastão dedicates his life to rescuing these bodies, not trying to save them, instead giving them back to their families so they can have a closure.
Production
Cativeiro
To be captive is to be confined, both in space and in time. The captive one is not only and necessarily a prisoner, but becomes an inherent part of that space, his identity being continually projected on it. The captivity space itself is in turn not inert; it is rather characterized by whomever it contains, it is shaped by that experience.
Cativeiro
To be captive is to be confined, both in space and in time. The captive one is not only and necessarily a prisoner, but becomes an inherent part of that space, his identity being continually projected on it. The captivity space itself is in turn not inert; it is rather characterized by whomever it contains, it is shaped by that experience.
Cativeiro
To be captive is to be confined, both in space and in time. The captive one is not only and necessarily a prisoner, but becomes an inherent part of that space, his identity being continually projected on it. The captivity space itself is in turn not inert; it is rather characterized by whomever it contains, it is shaped by that experience.
The Gravedigger
Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.
The Gravedigger
Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.
Parque Soviético
Love is a cold war. A couple discuss their relationship in a Berlin Park.
The Damned Yard
In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Inspired by the novel The Damned Yard by Nobel Prize-winning Bosnian writer Ivo Andrić, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata.
How I Fell in Love with Eva Ras
In Sarajevo, in a cinema’s projection booth, lives Sena; a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies. Through a combination of silence, the everyday gestures of this woman and the films that are projected from her living room, comes a film built like a day in Sena’s life. Through the films that Sena projects, we are taken on a journey in both collective and personal memory. The film offers a portrait of intimacy crossed with a history witnessed by cinema; a history which Sena has conserved.
The Damned Yard
In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Inspired by the novel The Damned Yard by Nobel Prize-winning Bosnian writer Ivo Andrić, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata.
The Damned Yard
In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Inspired by the novel The Damned Yard by Nobel Prize-winning Bosnian writer Ivo Andrić, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata.
Gallery
