
Acting
Andreas Voutsinas (22 August 1930 – 8 June 2010) was a Greek actor and theatre director. In the English-speaking world, he was best known for his roles in three Mel Brooks films, The Producers (1967), The Twelve Chairs (1970) and History of the World, Part I (1981). Voutsinas was born on 22 August 1930 in Khartoum, since there was a sizeable community of Greek settlers in Sudan at the time. His parents came from the island of Cephalonia, Greece. They set up a pasta factory in the Anglo-Egyptian colony, "reputedly supplying spaghetti to Italian forces" during the Fascist invasion of Abyssinia. After the collapse of the business during WWII, Voutsinas moved with his mother to Athens, Greece. His father returned 2 years later. Voutsinas studied acting and costume design at the The Old Vic Τheatre School and drama and song at the Webber Douglas Academy in London, and, in 1957, joined the Actors Studio. Voutsinas directed more than 130 performances of classical and contemporary repertoire in London, Paris, New York, Canada and Greece. He worked as an actor and director on Broadway and acted in films by Jules Dassin and Luc Besson. Voutsinas, a life member of The Actors Studio since 1957, spent many years working in summer stock theater and as an assistant to Studio co-founder Elia Kazan, before he met Jane Fonda, with whom he got involved and whom he cast in the leading part in The Fun Couple, his Broadway directorial debut in 1963. Voutsinas later followed Fonda to Hollywood where he coached her in a number of movies. He then started working as a coach for many others, including Faye Dunaway and Warren Beatty. Following Fonda to Paris to coach her in Roger Vadim's Barbarella, he decided to found Le Theatre Des Cinquante, an acting workshop based on the principles of Lee Strasberg. Many famous French actors and actresses started attending his classes, and at the same time he successfully began directing plays for the French theatre. In 1967, Voutsinas became the original Carmen Ghia after befriending Mel Brooks's wife, Anne Bancroft. She recommended him to Brooks and said Voutsinas would be perfect for the part. Voutsinas had a role in another Brooks feature, History of the World, Part I, playing the role of "Bernaise" in the French Revolution scenes. It was not until the early 1980s that he eventually moved to his ancestral Greece, where he continued his career directing a wide range of repertoire from Tennessee Williams to Euripides, mainly for the State Theatre of Northern Greece in Thessaloniki. His productions were also staged during summer in the Athens Festival in Herodion, as well as in the Epidaurus Festival. He continued working between the two countries while he appeared in many French and Greek films, including Le Grand Bleu (1988) and Safe Sex (1999). Andreas Voutsinas taught acting at the State Theatre of Northern Greece from 2002 to 2009. After he suffered a stroke he founded his own drama school in Thessaloniki, the Higher Drama School Andreas Voutsinas. He was married to Artemis Papastrati from 1953 to 1964, they had one son Marios Voutsinas, who became an artist. ... Source: Article "Andreas Voutsinas" from Wikipedia in English, licensed under CC-BY-SA.

Childhood friends Jacques and Enzo share a passion for the danger of free diving. Jacques, following in the footsteps of his father, who died at sea when Jacques was a boy, harbors a remarkable ability to adjust his heart rate and breathing patterns in the water, with his vital signs more closely resembling those of dolphins than men.

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.

In 1920s Soviet Russia, a fallen aristocrat, a priest and a con artist search for a treasure of jewels hidden inside one of twelve dining chairs, lost during the revolution.

Adolescents or young adults, Franck, Christine and the others meet, bond, leave each other. But the drama lurks.

Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.

To Take Possession of Maleficient Powers, Dracula must take control of a lady in a Flee Market, Paris , France. But without wasting any time, her friends take on Dracula to save her from this terrible curse of Vampirism.

A crime story set in Paris about a Bonnie-and-Clyde couple -- how they got together and how they are pursued for a murder they never committed.

Didier is an embarrassed lover and husband when his young mistress, whom he had just left, attempts suicide and is adopted by her family while she recovers. The situation becomes very tense when everyone (husband, wife, children and mistress) goes on vacation together. Didier asks his wife for a divorce after succumbing to his mistress again, but that's not the end of the trouble.

Inspector Balboss, a corrupt police officer with a criminal streak, takes under his wing a young vagrant he meets by chance and sets about teaching him the tricks of the trade.

Pierre used to be a top level football player but he quit. Now he is both a prestidigitator and a stool pigeon, benefiting from the protection of the chief inspector. In his dreams he is haunted by the horrors he saw (he took part in ?) during the Algerian War. Pierre lives with Marie, a young singer who performs at the same cabaret as him. Lately Marie has decided to start a career in the showbiz and Pierre is worried. Nothing alarming happens though, until a diabolical inspector, jealous of his superior, decides to manipulate Pierre. He also puts pressure on Poussin, Marie's pianist, and on Joseph, the night club's master of ceremony. What he wants is to compromise his superior and take his place. Will Pierre escape this ruthless trap?


