On a beach in Gothenburg found parts of a dismembered man's body. The only thing that is going on, a tattoo on the torso. Irene Huss finds similar previous cases that will take her to Copenhagen, where she is forced to look for a friend's daughter who disappeared. Likfyndet will be the prelude to more nasty murders that lead Irene to Copenhagen's underworld.

Former Danish servicemen Lars and Jimmy are thrown together while training in a neo-Nazi group. Moving from hostility through grudging admiration to friendship and finally passion, events take a darker turn when their illicit relationship is uncovered.

The year is 1933, and society has certain expectations of how young women should behave. 17-year-old Maren is wild and unruly and is in turn sent to the women's institution at Sprogø to become more compliant. The stay at Sprogø has the opposite effect on Maren, and she ignites a spark in Sørine, who after six years at the institution has become accustomed to the norms of the time and the expectations of the institution. Slowly the two begin to form an unbreakable bond, which will affect the rest of their lives.

An artist must claw his way through, seemingly, everything in this moving drama. He struggles with the relationship with his daughter, with his art and with the mental mechanisms that make it difficult for him to be part of the world that the rest of us live in. A tour de force of familiar faces who play dazzlingly in this life-affirming film about all the big and difficult things in life.

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

Young anti-colonial idealist Wulff leaves for Danish Guinea to set up a coffee plantation but not everything goes according to plan.

You can run into anything in the Danish woods, but a naked woman covered in blood is not something you see every day. Her name is Robin and she not only claims to have witnessed a gruesome murder but also to having killed her assailant in self-defense. The problem is that the police doesn’t find any trace to prove what happened to her. It remains a complete mystery. Robin feels abandoned by the police, who clearly think she’s the victim of an overactive imagination. Ever her husband and her sister have all the trouble in the world to believe her. She reaches a chilling conclusion. If she didn’t kill the murderer, he must still be out there, wanting to end what he started.

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

The Way to Mandalay tells the story of one of Denmark's greatest and most beloved musicians. The film takes us on a journey from Mogenson's childhood to manhood and throughout his career which spanned more than twenty years, first with great success in a popular vocal group and later as a successful solo artist. There is a long period that John Mogensen can never be satisfied and he is confused by what are the things he truely loves and is willing to do everything for. Is it the music, the stage, the fame or his family?