When he learns of his mother’s death, Thomas returns to Brazil with Beni, his partner, and is told he now owns a country house that used to belong to a grandmother he never met. Curious to connect with his family history, they visit the house and Thomas is welcomed by two aunts that treat him like a long-lost child. As Thomas becomes increasingly enchanted with the place, Beni begins to suspect that something lurks beneath the façade of a quiet country life.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

A$$untina of the Amerikas is a musical comedy of a prostitute that, in 24 hours, wakes up, fights her mother, puts her son in anarchy, has a date with Santa Claus, a blue bear and two girlfriends. Then she finally meets her old millionaire lover. They spend their time to talk about everyday life and make love. Based on the novels of Fernando Henrique Cardoso and Wilhelm Reich.

A once-rich family of women in Rio de Janeiro must sell their mansion in order to keep their high standard of living, but the proximity to the slums disrupts business.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

Rebeca is a shy 13-year old girl. She has just moved with her mother to an isolated neighborhood in a small town, near Rio de Janeiro. Since someone is breaking into empty houses, Rebeca is forbidden to go out and spends her days alone, watching from above the wall the street where she lives. Until she sees Mika, a girl of her age, skating down her street. Soon Rebecca finds out that Mika is a trans girl. All this time, she’s been stealing small feminine objects from the local houses. The girls are bound together. Their worlds collide.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

In Nilópolis, Eliane, a 15-year-old girl, who is the daughter of a lower-middle-class couple, falls in love with Otávio, a 33-year-old divorcee. Upon learning of the relationship, Eliane's parents forbid her to meet her lover.

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.