During the COVID-19 pandemic in 2020, Solange and Gustavo, mother and son, lose a family member to the virus. As they deal with grief and face this new reality, the relationship between the two shudders and wounds are reopened, leading them to question which of them was responsible for bringing the virus into their home.

By day, Mari and her friends broadcast their spiritual devotion through pastel pinks and catchy evangelical songs about purity and perfection, and by night they form a vigilante girl gang, prowling the streets in search of sinners who have deviated from the rightful path. After an attack goes wrong, leaving Mari scarred and unemployed, her views of community, religion, and her peers begin to shift.

Joana is a young university student who recently discovered herself as a lesbian. In one of the traditional lunches at the house of his grandmother Clarissa, his cousin Joaquim unleashes the question that gives title to the film. The question shocks not only Clarissa, but also Joan, who, to avoid facing the question and its repercussions, detaches herself from that moment and begins to revisit her childhood memories in that house. A figure stands out among these memories: that of his aunt Carolina, a great friend of his grandmother, who was always around. Little by little, Joan understood that the constant presence of Carolina was not just by chance, and did not mean to her grandmother Clarissa just a friendship. This walk through the past awakens Joana to the possibility of sharing more with her grandmother than she had imagined.

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.