Acting
Ana Maria Portinho Magalhães (Rio de Janeiro, January 21, 1950) is a Brazilian actress, film director, film producer and screenwriter.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Through performatic acts and some exposition, a group of poets of that 1980's generation make great use of words, poems and rebellious acts criticizing the then current generation and its lack of admiration for the poetic works that were being created.
In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their four eldest daughters. The youngest one, virginal Silene, is unexpectedly sent back from boarding school after killing a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
Based on interviews with 15 women, including directors, producers and film actresses, a journey around the world is made, seeing the wars waged by each one against economic and political repression, bombs, police dogs, censors, etc. Images from England, New York, Brazil, South Africa.
Story of Brazilian bank-robber Lúcio Flávio, who fascinated some people in Rio de Janeiro during the 1970s for his bold robberies and spectacular escapes, and also because he was thought to be intelligent and "politically aware". Before dying, he disclosed a network of corruption in Brazilian Police, and its involvement with the infamous "Death Squad" of the time, a group of policemen who went about killing criminals without giving them a fair trial.
Six episodes set in and focusing on the history of Brasília, the capital of Brazil. Episode list: A Paisagem Natural (dir. Vladimir Carvalho), O Sinal da Cruz (dir. Pedro Jorge de Castro), A Volta de Chico Candango (dir. Roberto Pires), Além do Cinema do Além (dir. Pedro Anísio), Suíte Brasília (dir. Moacir de Oliveira) and A Capital dos Brasis (dir. Geraldo Moraes).
A documentary that presents home movies and several excerpts of known films of famous actress Leila Diniz. Friends of the late actress, tragic killed on a plane crash in 1972, discuss about her life, her work and her legacy in Brazilian culture.
After the death of his eldest son, who fell victim to a disease transmitted by white people, the Indian Uirá, chief of the Urubú tribe, decides to set off in search of the god Maíra, creator of the world of men, with whom only brave warriors of the forest are reunited after death. Uirá will also encounter the 'civilisation' of the new Brazil.
The life of Brazilian actress Odete Lara, muse of the movement called Cinema Novo in Brazil, who exchanged stardom for a quiet and religious life.
The sexual fantasies of women are explored by four female directors.
Marta, a young mother, hardly believes when she hears her young baby speak. She tries to convince the other people in the family of the fact, but soon discovers the baby only speaks with her, even in English.
Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
Based on the life of the player Afonsinho, who was banned from playing football for growing his beard and hair and refusing to cut them. Fighting for his rights, the player managed to become the owner of his own transfer rights, that is, he obtained a "free transfer". From this incident, the film examines labor relations in Brazilian football.