After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.

Rejane returns to her hometown, Paraíso, in search of answers to her brother's murder.

In Bocaina, Minas Gerais, two sisters live peacefully and in isolation until the arrival of an outsider to the region. The plot follows in the footsteps of Zulma (Malu Gali), Musk (Ana Flavia) and Josevelt (Alejandro Claveaux). Josevelt is the mysterious fellow who, along with these two conflict-filled women, helps them free themselves from their restraints. Under the context of a pandemic, the narrative addresses the feeling of suspension and uncertainty, so present today.

The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism.

A threesome that takes place against the backdrop of Brazil's 2018 presidential election. Three young adults in a love triangle seek to understand the world and who they are on the brink of a shocking and highly-divisive election that puts the future of each one in check.

Juliano Moreira Colony, Rio de Janeiro. Estelar works in a psychiatric hospital and has visions of the past. During a water crisis in the state, she receives Kalil, her younger brother, to live in her house.

Sandra returns to her cousin Mariana’s house in search of a photo of her late mother, who worked as a live-in maid for Mariana’s parents. Although they were raised together, Sandra, a dark-skinned Black woman, and Mariana, a light-skinned Black woman, experienced that house in vastly different ways. Their reunion forces them to confront long buried memories, issues of race, family, and belonging, while a supernatural force lurks around them.

After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. During a visit to a porn theater, he encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion, oscillating between exploitation and protection, jealousy and complicity.

In 2008, a corpse identified by the police with the birth certificate of the writer João Paulo Cuenca was found in an occupied building in Lapa. Inspired by this fact, the movie investigates the theft of the author´s identity in a ghostly Rio de Janeiro and in deep transformation. If in fiction and in crime sections of newspapers it’s common to read about people who steal the identity of someone dead to start a new life, what we have here is the opposite case: someone who steals the identity of a living man to die in his place.