Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

Comedy set in 1977, in which a renowned playwright (Alberto San Juan) tries to shoot a social protest drama starring a doldrums folk, former child star (Natalie Poza) and produced by a producer and shameless liar (Miguel Rellán). Inexperience, ambition, lack of means and the love-hate relationship with the star director shooting become a craze.

Adela does not bear Bernarda. Bernarda does not bear Adela. They fight. Adela discovers a purse. The purse discovers wheels. Adela flies.

Pablo hates everything. When Lucia comes into his life, he thinks she's the woman he dreams of, and sees the solution to all his problems. But Lucia, who is rather manipulating, is just what will make Pablo explode. Nobody believes in the ideal couple, not even Pablo's friends, who live all in couples, and all with problems: Between Ariel and Lola there is a professional rivalty they don't know how to cope with; Claudio lives on Natalia, and none of them feels good about it; what's wrong with Alejandro and Beatriz is just the big age difference between them two. Nobody is happy with his partenaire, but everyone will let it be, maybe for conformism, maybe for fear, maybe for lazyness, or maybe because Everything is false.

Pepe Soriano plays a Madrid shopkeeper who is kidnapped by henchmen of Franco in this political comedy. After his kidnapping, he is forced to become the dictator's double for many official ceremonies. Due to his long and unexplained absence, Pepe's wife believes her husband has been abducted and killed, so she tries to reach her husband through spiritualism. After Pepe surprises her with a nocturnal visit, he tells her he will touch his ear to signal it is he and not Franco in public appearances.

A girl who lives with her dealer cousin and her policeman boyfriend who is a policeman regularly transports drugs from Morocco for her cousin. As all of them smoke grass from time to time there is need for more. Deciding to take a friend of hers who has just left home down to Morocco for a transport she gets problems because it is the first time for her friend and this makes it difficult. But as all are very open-minded there is no problem they would not try to solve.

In the 16th century, the daughter of a Spanish nobleman joins a convent and becomes a spiritual leader.

A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.

In a restaurant they're preparing a grand banquet in honor of a sports association of anglers, but several circumstances seem to have conspired to boycott the event.