The Cabin Guard is a Bengal Psychological Thriller film directed by Sudipto Roy. This film describes the journey of a man - from anger to murders. Where will the bloody journey end?

February, 2011. In a small village of West Bengal, two young women in love with each other―Swapna and Sucheta―took their own lives, leaving a letter claiming love, life, recognition… a letter challenging violence, hate, invisibilization.

Abhijit is diagnosed with a malignant sore in liver. Sohag finds it difficult to bear with the costs of medical expenditure and household things. With the help of her friend Rajiv, She gets an opportunity to avail a job in Purulia. Sohag makes an effort to better her life by communicating with the innovative artworks of the rural artists. Rajiv allots a huge amount of responsibility of the organization on Sohag. Sohag confronts various layers of corruption in the work field. She realizes the suppressed discomfort of the workers there. Rajiv doesn’t take any initiative to rectify the situation. In the meantime, Abhijit’s physical condition deteriorates and he mumbles about her unsuccessful business of producing perfumes. The simultaneous crises related to the conjugal failure, Abhijit’s illness, Rajiv’s consistent admiration weave the narrative of the story. Sohag resigns from her job.

A petty criminal, who loves a whore and wants to run away with her savings, meets a laid-off factory worker who is desperate to stop his wife from working as a housemaid.

Strange incidents occur in the heart of Shonajhuri forest in rural Bengal which develops an ominous character of its own that allures and finally engulfs the protagonists.

Farhaz, a top chef from Bangladesh, and Basundhara, a middle-class Indian woman who runs a home catering service, come together as they share a common passion—food.

Shiva, an audio installation artist visits the largest coal mines of Eastern India – plagued by depleting natural resources and a burning fire in his belly. However, he succumbs to the highly complex socio-political system and moves to a tribal village in the forest. There, he questions his urban view and fundamental notion of self. Water, as an element, forms the labyrinth of his quest for truth.

Rudra Mondal and his wife Mishti are unable to have a child.

In ‘Abhagir Swargo’ the mother Abhaghi is a lower caste woman, whose only dream was that after her death she should be cremated with full rituals like the high-caste Hindus. She dies in penury and his son went further into the debt trap to fulfill his mother’s last wish.