During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

“The Vanished” was a full-length feature film produced nearly twenty years ago by the IDF Spokesperson’s Film Unit. It was an exceptionally ambitious and elaborate production, with an estimated budget of around one million dollars. The IDF invested generous resources—hundreds of extras, tanks, helicopters, and more were made available—and some of Israel’s top film professionals joined (or were enlisted) to take part in its creation. Nevertheless, at the very last moment, the IDF decided to shelve the film. “The Vanished” was never publicly screened, and to this day, the reason for its suppression remains unclear.

Boaz, a reserve soldier, returns from the battlefield and becomes involved in editing a memorial album dedicated to a friend who was killed before his eyes. He becomes increasingly involved in the lucrative business of producing memorabilia of this kind and does not hesitate exploiting the grief feelings of the survivors and symbolically becomes a "vulture," even in his romance with the dead hero's girlfriend.

The twisted paths of three very different men brutally collide due to a chain of unspeakable murders: a grieving father who has been doomed to seek vengeance and a police detective who boldly crosses the narrow boundary between law and crime meet a religion teacher suspected of being the murderer.

Smadar (Smadar Sayar) and Mirit (Naama Schendar), both 18 years old, are assigned to patrol the streets of Jerusalem together as part of their military service. Worlds apart in their personality their initial frosty relationship changes to friendship as they deal with their own emotional issues, the crushes and break-ups in their love lives, as well as the political realities.

Yotam, a thirteen year-old boy studying at an ultra-orthodox Jewish boarding school tries to battle the awakening of his sexual desires. Confused and guilt-ridden, he consults with his rabbi who abuses his position and Yotam's innocence. With no one to trust and nowhere to go, Yotam finds himself trapped by the enforced silence in his community.

A boy and a girl wake up in bed one morning, naked. The children's mother died a few weeks earlier. Before she died she asked her children to find their birth father who left them when they were still babies. Their quest in search of their father leads them to hospitals, nursing homes and holding cells. In the course of the quest the brother and sister meet people who provide them - like in parallel quantum universes - a glance into what their future lives may hold for them.

Yariv is a shy photographer charged to take photos at a family birthday. The photographs he takes highlight his problematic relationship with his brother, and increasingly intertwine to his extreme sexual experiences at the gay sauna.

Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).

A young man by the name of Hertzel comes back to Israel broke after years abroad and finds work hanging advertising posters. He drives across the country from north to south in his deceased father’s old Volvo, meeting stranded people, lost people, people on quests – until his journey brings him face to face with himself and with open questions about the past.