The relationship between Eric and Stephanie is floundering. They decide to leave for the Republic of Santiago to visit the famous ruins. Once there, they learn that a serial killer rages on steep roads of the region, eliminating drunk drivers.

On her 64th birthday, Zoe, a lonely, widowed Cuban exile, is about to become a grandmother. She is also about to receive an unexpected visit. After more than forty years without seeing each other, Helena, her childhood best friend, returns to catch up and explore their lives through songs, letters, and memories from their past. Without imagining that this reunion will change their lives forever, when a secret comes to light, they both have to reconsider their relationship.

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

Gonzalo's life has been marked by the story of his mother, a Mambisa heroine of the war of 1895. After her death, he is sent to Spain. In 1931, he returns to Cuba to reclaim the family possessions and discovers the value of love and death, truth and lies, pain and hatred.

In this last film princess Fantaghirò ends up in a parallel dimension fairy land full of kids. Here the princess must fight against a villain called "Nameless".