Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...

Awaiting his girlfriend Léna’s arrival at the Breton seaside resort of Dinard, Gaspard befriends — and flirts heavily with — two other women, the companionable ethnology student Margot and the sensual townie Solène, making for a rather complicated situation when Léna finally arrives.

The Popular Front wins elections, the Spanish Civil War begins, and Hitler and Stalin are manipulating and spying. The brilliant exile, Fiodor Voronin, a general at 20, is the deputy at the White Russian Military Union, probably slated to replace the aging Général Dobrinsky soon. Fiodor's Greek wife, Arsinoé, paints and stays away from politics, befriending Communist neighbors. Her health declines; the attentive Fiodor arranges care and, against the backdrop of Stalin's Great Purge, considers his options. He plays a chess game in which love of country, love of Arsinoé, ideology, petty jealousies, and the machinations of power roil in matters of life and death.

A new gardener arrives at the superb property of a French cultural attaché in Portugal. This frail young man does not have the head nor the figure for the job. And for good reason: Johann is a painter who, after a recent break-up, has fled to find the calm necessary for his work. This intrusion causes disturbances, admitted or not, in this small protected world.

A subsidiary of Générale Financière d'Investissement (GFI), Medic-Hall, a medical equipment company, employs nine salespeople. As part of the restructuring of the group, management decided to separate from them, without paying them severance pay. For this, the company called on Sébastien Jalabier, a degreasing specialist, who undertakes to make them resign by resorting to various means of pressure: tracking down professional misconduct, humiliation, bullying, thankless tasks ...

In 1995, producer Françoise Etchegaray recorded the production of A Summer's Tale. The footage remained on the shelf for years until director Jean-André Fieschi combined the images with bits of the finished film.

Hélène, a Parisian nursery director, navigates her son Paul's hidden heroin addiction, straining their bond in this poignant tale.

Les Contes Secrets ou les Rohmériens features interviews with 16 actors who have appeared in Rohmer's films, and they talk on camera about his unusual working methods, his personality, and his spare but evocative signature style. Among the thespians who share their memories are Jean-Louis Trinitignant, Marie-Christine Barrault, Zouzou, Jean-Claude Brialy, Béatrice Romand, Françoise Fabian, and Andre Dussolier; the film also includes rare footage of Rohmer himself at work on the set of his 1978 effort Perceval.

Boris and Sandra meet and immediately love each other with a lively passion. Enough to help them fight the best enemy of their love: addiction. That of Boris on drugs, that of Sandra in Boris. Linked, attached to each other, reclusive but alive, they will try to live their love in a closed circuit. In doing so, everyone will discover in themselves an unexpected strength and humanity.