Costume & Make-Up
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A reporter travelling to Latin America witnesses a murder through the lens of his camera.
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.
A notorious French madam, whose business serves many of the nation's most powerful individuals, plans to go international until she becomes the focus of media scrutiny.
Helmut is fed up traveling around he world. Coming back from Asia, he decides to stay some time in Alexandra's house, a long time friend. She is living on a beautiful island where she is doing art. From his travels, Helmut brought back some old manuscript about secret rites that he decides to share with Alexandra after restarting a sexual relationship with her
