At 92, Granny Asha’s magic is fading—she forgets spells, and spirits no longer visit. When her grandson DouDou moves back with his son, Dou-Miao, the boy’s hidden powers awaken, pulling him and his grandma Mei-Chen back to Asha’s childhood in Japanese-era Taiwan. But a vengeful spirit, once sealed by Asha, resurfaces in a storm. With DouDou trapped undersea and Asha’s magic failing, can four generations join forces to save their village?

Huihua, a music school freshman, is raped by Professor Lee. She files a suit against him with the help of another professor, who involves his attorney friend, Fang Anyu. As the film focuses on the secondary abuse inflicted on Huihua, it narrows in on the characters’ inner lives. Why does Fang Anyu defend Huihua while his marriage crumbles? Why does attorney Lin so actively defend her husband? Above all, Huihua’s complex psyche is evident in the words, "I may have loved Professor Lee," changes the film into something beyond a simple courtroom drama.

Two men and women with unknown identities, a live online trial in a confined space, and an extreme escape between death and truth

Weaving two stories set 30 years apart, First of May is about a middle-aged man looking back at his teenage years, dreaming of his first and possibly only love. At the center of the drama is Bai, a 17-year-old student living with her single mother Wong Lei, and her grandmother. Bai gradually falls for her admirer/stalker Yeh, who is always walking behind her and her best friend Wen Wen wherever they go.

To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.

The film follows Fan who was born on April Fool and caught into a circulatory day full of bad experiences. However, A mysterious man appears and helps him find out a way.

This is a collection of three films by emerging Taiwanese directors all revolving around the theme of strong, young women involved in mayhem of some sort. In all of them the theme of alienation within the crowded streets of Taiwan runs strong.

Rebellious girl Lan leaves home at a young age, and the cruel reality forces her to sell her body in order to get by. Her hope of happiness and freedom vanishes the moment she stabs her priest husband. After being released from prison, she meets Blackie, her live-in boyfriend who is a gambler, and Xiu Xiu, a kind-hearted girl who intends to help her lead a normal life. But Lan makes the same mistake again and is back in jail...

After having to quarantine together during COVID-19, a mother and daughter are forced to confront their personal obstacles and relationship tensions.