
Directing
Aly Muritiba (Mairi, February 20, 1979) is a Brazilian filmmaker, winner of the Global Filmmaking Award at the 2013 Sundance Film Festival with the screenplay for the feature film "The Man Who Killed My Loved One" and his short film "A Factory "was a semi-finalist for the 2013 Oscar, in the best short live-action category, being left out of the final list of the five nominees to win the statuette. The filmmaker was born in the interior of Bahia and in 1998 moved to São Paulo to study History at USP. Soon after, he moved to Curitiba with the intention of attending Communication and Culture at UTFPR and Cinema and TV at the Faculty of Arts of Paraná.

Reveals the real, day-to-day life of penitentiary officers from São Paulo, Brazil.

The Ball rolls freely and while the RAP echoes from the speakers, four friends roam the dance floor with very different goals. What they don't know is that their fates will be sealed forever after this night.

Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.

Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

In the prison yard, the prisoners play football, dance “capoeira” and talk about freedom.

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.


For seven years Aly Muritiba worked in a prison in Brazil. There, he was part of the Alpha team. After studying film and making some shorts, Aly returns to his old job to be reunited with his former colleagues and make a film about the Alpha Team. The Team consists of 28 people, men and women of different origins and backgrounds, that work as caretakers and custodians for over a thousand criminals in a Brazilian prison. Walkiu becomes the leader of the team and hopes to do a good job. But as time goes by he realizes that his hands are tied.

For seven years Aly Muritiba worked in a prison in Brazil. There, he was part of the Alpha team. After studying film and making some shorts, Aly returns to his old job to be reunited with his former colleagues and make a film about the Alpha Team. The Team consists of 28 people, men and women of different origins and backgrounds, that work as caretakers and custodians for over a thousand criminals in a Brazilian prison. Walkiu becomes the leader of the team and hopes to do a good job. But as time goes by he realizes that his hands are tied.

