“The Vanished” was a full-length feature film produced nearly twenty years ago by the IDF Spokesperson’s Film Unit. It was an exceptionally ambitious and elaborate production, with an estimated budget of around one million dollars. The IDF invested generous resources—hundreds of extras, tanks, helicopters, and more were made available—and some of Israel’s top film professionals joined (or were enlisted) to take part in its creation. Nevertheless, at the very last moment, the IDF decided to shelve the film. “The Vanished” was never publicly screened, and to this day, the reason for its suppression remains unclear.

Four overweight friends from the Israeli city of Ramle are fed up of dieting and the dieting club they belong to. When Herzl (155 kilos), the main protagonist, loses his job as a cook and starts working as a dishwasher in a Japanese restaurant in Ramle he discovers the world of Sumo where large people such as himself are honored and appreciated. Through Kitano (60 kilos), the restaurant owner, a former Sumo coach in Japan (who is supposedly hiding from the Yakuza in Israel), he falls in love with a sport involving "two fatsos in diapers and girly hairdos". Herzl wants Kitano to be their coach but Kitano is reluctant - they first have to earn their spurs. "A MATTER OF SIZE" is a comedy about a ‘coming out’ of a different kind - overweight people learning to accept themselves.

A coming-of-age saga set against the tense backdrop of Arab-Israeli politics. Mendy is a young Rabbinical student whose mind is too full of curiosity about the world that exists outside the restrictions of Orthodox Judaism. Recognizing his distraction, Mendy's teacher suggests that he visit a prostitute to get it out of his system. But on a fateful night, when he meets Sacha, a captivating Russian expatriate, who works in a Tel Aviv bordello, his appetite for outside experience only grows stronger.

On a hot summer day, Anna embarks on a little journey in the deserted desert town she lives in. She tries to find a man to give her a comforting touch, even for a brief moment .

Ovadia Rachmim is the strongest and most violent doorman of Tel Aviv night clubs. He and his wife Rachel are trying to get pregnant for 5 years. A small time gangster named Shalom, offers Ovadia a job, to be a debts collector, offering him a lot of money. Ovadia sees this as great opportunity to start an expensive private treatment for his wife. As soon as Rachel gets pregnant, he decides to stop working for Shalom. Shalom wants him for the most important mission. The mission in which Ovadia has to betray all his best friends. Now it's the time to pay the price of becoming a father.

In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the Revolution Studios in Damascus, Syria. They have never met each other because of the occupation of the area by Israel since 1967; when Mona moves to Syria, she will lose her undefined nationality and will never be allowed to return home. Mona's father Hammed is a political activist pro-Syria that is on probation by the Israeli government. His older son Hatten married a Russian woman eight years ago and was banished from Majdal Shams by the religious leaders and his father. His brother Marwan is a wolf trader that lives in Italy. His sister Amal has two teenager daughters and has the intention to join the university, but her marriage with Amin is in crisis. When the family gathers for Mona's wedding, an insane bureaucracy jeopardizes the ceremony.

In his short stories, Israeli writer Etgar Keret mixes fantasy and reality. His own life story also comes across as a modern fairy tale. In this hybrid documentary, the filmmakers investigate why storytelling is essential for Keret's survival.

An estranged couple receives an unexpected visitor who throws everything in their family off balance.

With their father in prison and mother dead, three children from the West Bank are smuggled into Israel and taken to the house of their distant relatives, George and Rita, in Jaffa. Rita, who longs for a child, embraces them as her own but George is wary of the grave legal implications their actions might have. Meanwhile, a British film director recreates 1947 Jaffa outside George and Rita’s house. When their present-day reality meets the historical events that led to it, tragedy ensues.