Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

A young man finds a way to spend his last few days of freedom before joining the army. Set in eastern Bosnia in summer of 1968.

Based on the memoirs of Irena Vrkljan. Through reminiscences of Mala and her sisters, we meet her family and her contemporary intellectual elite.

A pseudo biography of Dora Pejačević (10 September 1885 - 5 March 1923), a Croatian composer.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

A community nurse Ema comes to work in a small village in the lowlands as a replacement, where she discovers the diary that her antecedent left behind, thus finding out more about the ill children she cured and the secrets of this sleepy settlement.

A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.

In this politically charged drama, the turbulent times just following Marshal Tito's rejection of ties to Moscow comes to life. Interestingly, even in the first few years after the Yugoslavian leader's death, the subject matter of this film was considered too hot to handle, and the director had to appeal to the courts for permission to shoot it. In the story, Martin is a schoolboy with a sense of the absurd and a willingness to use ridicule to amuse himself and his classmates. He has an uncle who is high up in the nation's bureaucracy who protects him and his grandfather now that his father has died. His grandfather is too stubborn to give his farm to the local farming collective, and Martin himself is in hot water with the principal for making fun of his girlfriend, one of the students at the high school. However, as long as the uncle is able to protect them, they remain out of hot water.