A TV movie and part of groundbreaking Taiwan TV series “Eleven Women”

Devil worshippers devise a scheme to bring Lucifer to the world, by taking advantage of mentally and emotionally women to rack up a body count.

Drama-thriller from Taiwan.

Kao Han (Kenny Bee) and Pan-yun (Xiu-ling Lu) meet for the first time as strangers in a pet shop. It is destiny that they meet a second time and Kao Han takes a chance in this second meeting to pursue Pan-yun. Pan-yun is reluctant to get involved with Kao Han because she still thinks about and love her late-husband and also her late-husband's niece, Ko-hui (Lan-xi), is in love with Kao Han. Reluctantly and unwillingly Pan-yun falls for Kao Han but their love is not so easily obtained.

A Chinese couple move in together, but the boy secretly wants the daughter of a top business magnate, and when he tries to kill his current partner to get what he wants, she isn't happy.. in a co-joined storyline, a young tousled hair cop has his buddy cruelly shot down and swears revenge, but is forced to quit the police when his corrupt superior takes him 'off the case'. From then on we get random scenes of bad guys being sent to kill our renegade as he defeats them repeatedly. Neither storyline has anything to do with the other, and were obviously combined for reasons of padding "Cut-and-paste" transformation of Taiwanese movie "Kill for Love" (1982; directed by Richard Chen Yao-Chi) with new Hong Kong footage.

Turn Around is based on the story of Cheng-chung Wang, a passionate Taiwanese teacher who has won multiple educational awards. After graduating from the National Kaohsiung Normal University, he is assigned to teach at a school located at the rural Zhongliao in Nantou County, which is lacking in educational resources. As he is preparing to leave at the end of his assignment, the area is met with the deadly 921 earthquake. Seeing the students breaking down in tears and asking for his return, Wang decides to stay with the school to improve the education of the students.

Three graduating seniors, Willy, Fatty and Yaya, who have no ideas what the future holds for them, are now facing the biggest challenge beyond their imagination: their friend Kaka is back from Australia with a baby in her arms! The baby disrupts their lives and also puts their friendship to the test. Three new "Daddies" are learning the responsibility of life while taking care of the baby...

Documenting Taiwan’s first large-scale postwar outdoor concert, this film revisits the 1978 Grass Field Charity Concert, an unprecedented gathering of over 4,000 people. Organized by singer and television host Yang Tsu-Chun (楊祖珺) during the height of the island’s folk song movement, the event foregrounded music’s relationship with everyday life rather than overt political messaging. Yet its significance was inseparable from the era’s tensions: Yang’s self-titled album had recently been banned for the perceived “left-wing” social consciousness of her lyrics, and despite the concert’s stated charitable intent, its scale and popular appeal drew the scrutiny of Kuomintang (KMT) intelligence agencies. Framed against late-1970s Taiwan, the film documents how music, public space, and cultural expression intersected under authoritarian surveillance, marking a pivotal moment in the history of popular music and collective gathering.