Artist group ABCinema's footage from Rødovrecentret, Denmark's first large shopping center in Rødovre, a suburb of Copenhagen. A collage of super 8 footage, shot with multiple cameras. (DFI)

The ABCinema group dispatched Jørgen Leth to make the arrangements with Prime Minister Jens Otto Krag, who good-naturedly put himself at their disposal. Relaxing on a bench in the garden of Copenhagen's Royal Academy of Fine Arts, Krag is scrutinised by camera-wielding collective members almost like a model in a life-drawing class. Every possible angle, distance and framing is tried. The result is an image of the prime minister that is both fragmented and multi-facetted, describing his visual appearance as a man and an icon. At the same time, the ABCinema members film each other filming Krag, which gives the film a highly self-reflective character. Like "The Deer Garden," this is a film about a film being filmed. A showdown with the documentary portrait genre, "Jens Otto Krag" is devised according to the principle of keeping the material alive by not editing it but randomly piecing it together. (DFI)

Anthology of six experimental films. 1) Allan de Waal: Investigation of an abandoned hippie house. 2) Bjørn Nørgaard and Lene Adler Petersen: The female Christ. Five subsections. a) The female Christ crucified by Roskilde Fjord. b) The female Christ on the Stock Exchange. c) The female Christ exposes herself in front of a cross in a backyard in Nørrebro. d) Female body with breasts and shot bare on a lawn. e) Exhibition of Bjørn Nørgaard's "fucking machines". The female Christ is hung naked in it and eventually has intercourse with Nørgaard. 3) Per Kirkeby: The primitive life in the forest. 4) Jørgen Leth: Interview with a hippie girl. 5) Vagn Lundbye: Paraphrase of spaghetti western. 6) Peter Louis-Jensen: Revolver section of picture and sound noise.