
Acting
From Wikipedia, the free encyclopedia Alice White (born Alva White, August 25, 1904 – February 19, 1983) was an American film actress. Her career spanned late silent films and early sound films. After leaving school, White became a secretary and "script girl" for director Josef Von Sternberg. She also worked as a switchboard operator at the Hollywood Writers' Club. After clashing with Von Sternberg, White left to work for Charlie Chaplin, who decided before long to place her in front of the camera. Her bubbly and vivacious persona led to comparisons with Clara Bow, but White's career was slow to progress. In his book, Silent Films, 1877-1996: A Critical Guide to 646 Movies, Robert K. Klepper wrote: "Some critics have said that Ms. White was a second-string Clara Bow. In actuality, Ms. White had her own type of charm, and was a delightful actress in her own, unique way. Whereas Clara Bow played the quintessential, flaming redheaded flapper, Alice White was more of a bubbly, vivacious blonde." After playing a succession of flappers and gold diggers, she attracted the attention of director and producer Mervyn LeRoy, who saw potential in her. Her screen debut was in The Sea Tiger (1927). Her early films included Show Girl (1928), which had Vitaphone musical accompaniment but no dialog, and its "talkie" musical sequel Show Girl in Hollywood (1930), both released by Warner Brothers and both based on novels by J. P. McEvoy. In these two films, White appeared as "Dixie Dugan". In October 1929, McAvoy started the comic strip Dixie Dugan with the character Dixie having a "helmet" hairstyle and appearance similar to actress Louise Brooks. White also used the services of Hollywood 'beauty sculptor' Sylvia of Hollywood to stay in shape. White was featured in The Girl from Woolworth's (1929), having the role of a singing clerk in the music department of a Woolworth's store. Karen Plunkett-Powell wrote in her book, Remembering Woolworth's: A Nostalgic History of the World's Most Famous Five-and-Dime: "First National Pictures produced this 60-minute musical as a showcase for up-and-coming actress Alice White." She left films in 1931 to improve her acting abilities, returning in 1933 only to have her career hurt by a scandal that erupted over her involvement with boyfriend actor Jack Warburton and future husband Sy Bartlett. Although she later married Bartlett, her reputation was tarnished and she appeared only in supporting roles after this. By 1937 and 1938, her name was at the bottom of the cast lists. She made her final film appearance in Flamingo Road (1949) and eventually resumed working as a secretary.

A stranded carnival dancer takes on a corrupt political boss when she marries into small-town society.

Kurt Anderson is the tyrannical manager of a New York department store in financial straits. He thinks nothing of firing an employee of more than 20 years or of toying with the affections of every woman he meets. One such victim is Madeline, a beautiful young woman in need of a job. Anderson hires her as a salesgirl, but not before the two spend the night together. Madeline is ashamed, especially after she falls for Martin West, a rising young star at the store. Her biggest fear is that Martin finds out the truth about her "career move."

An ex-con uses his street smarts to become a successful photojournalist.

An unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright competitor.

Murder results when a group of houseguests converge on a chateau, each plotting to steal a valuable Gutenberg Bible.

This drama offers a few slices from the lives of those who live, work, and travel upon a luxurious trans-atlantic ocean liner.

A coquettish socialite falls for a straight-laced associate in her father's law firm. But she must also fend off the advances of a greedy fortune-hunter and his sister.

Wealthy Mr. Kennedy shoots his secretary, Channing, during a parlor game, but it turns out the gun was loaded with real bullets. Luckily, criminologist Phillip Montrose is on hand to help the police. When Kennedy quickly ends up dead as well, the police think it's a tidy murder-suicide, but the family lawyer knows of a letter that voiced Kennedy's suspicions about someone who was out to get him. Soon, the cops are on the trail of a ruthless and clever killer who is one step ahead of even Montrose.

A woman infiltrates a criminal mob to avenge her brother's death.

A midwest band leader and his lead singer share a love-hate relationship as they try for success in New York.








