The Yellow Lounge is nowhere more true to its reputation of bringing classical music to unusual spaces than here in the stunning setting inside MORI Building Digital Art Museum in Tokyo. Pianist Alice Sara Ott as well as cellist Mischa Maisky perform repertoire from Debussy, Satie, Saint-Saëns and Massenet.

The London Telegraph described pianist Alice Sarah Ott as the “hottest new talent in classical music”. She now makes her debut with the Berliner Philharmoniker performing Ravel’s vibrant, jazz-influenced Piano Concerto in G major. Another artist making his debut is the Finnish conductor Santtu-Matias Rouvali, who shows the music of his homeland from its most passionate side: with Jean Sibelius’s Tchaikovsky-inspired First Symphony, and music by the internationally too little known Uuno Klami.

Alice Sara Ott and Francesco Tristano join forces for this energetic and joyful collaboration on the stage of the international Heidelberger Frühling (Heidelberg Spring) festival, held annually since 1997 in March and April in the romantic German city. The program, entirely designed by good friends Ott and Tristano, is entitled "Scandal" in reference to the public outcry provoked by Stravinsky's Rite of Spring—indignantly called a "massacre" upon its 1913 premiere at Paris's Théâtre des Champs Élysées.

Pianists Alice Sara Ott and Francesco Tristano have been close friends for several years now and they are back together again for this high-flying duet at the Auditorium de Radio France.

Dive into the beguiling world of John Field's Nocturnes as interpreted by world-renowned pianist Alice Sara Ott. This film, directed by filmmaker and tenor Andrew Staples, immerses viewers in Alice's imagination and her connection to Field's music, offering a rare glimpse into the artist's mind during the creative process. The interplay between historical venues and the custom-designed digital landscapes at Munich's Hyperbowl LED studio creates an atmosphere where the intangible becomes vividly real, resulting in a film that is much more than just a performance; it is an exploration of a performer's journey through the music of a neglected composer who left the world one of its most beloved musical forms: the nocturne.

The Konzerthausorchester Berlin, conducted by Joana Mallwitz, opens the 2025–2026 season with Maurice Ravel's hypnotic Boléro. This will be followed by Bryce Dessner's Piano Concerto, inspired and performed by pianist Alice Sara Ott. Also on the programme: Anna Meredith's Nautilus, a work brimming with energy, and Ludwig van Beethoven's First Symphony.