
Acting
From Wikipedia Alice Joyce (October 1, 1890 – October 9, 1955) was an American actress, who appeared in more than 200 films during the 1910s and 1920s. She is known for her roles in the 1923 film The Green Goddess and its 1930 remake also called The Green Goddess. It was director Sidney Olcott at the Kalem Company in New York City who gave Alice Joyce her first chance, casting her in his 1910 production, The Deacon's Daughter. She was eventually sent to work under director Kenean Buel on the West Coast after Kalem acquired the old Essanay Studios property in East Hollywood in October 1913. Joyce spent time with Kalem (1910–1915) and Vitagraph (1916–1921), later worked as independent for various studios. Her stardom began to wane with the advent of sound motion pictures. Joyce was known as "The Madonna of the Screen" for her striking features and presence. She made her last movie in 1930, after which she and ex-husband Tom Moore worked a late vaudeville circuit for a time. She declared voluntary bankruptcy in 1933. Joyce was active in San Fernando Valley women's organizations in her later years. She did book reviews and made sketches for friends.

An expose of the methods used by a police-department to extract a confession from a suspect, regardless of innocence or guilt, and the effect and consequences on a family when an innocent member breaks under the interrogation methods and confesses to a crime he did not commit.

During an attack on the Matelija Indian village, Wana, a beautiful Indian girl, is captured. Don Pablo, a Mexican gentleman, rescues Wana and places her in the care of the old Padre at San Louis Rey Mission. Two months later Wana again meets her rescuer. Romero, a half-breed, is rejected by Rubia, Don Pablo's sweetheart.

A major and his wife return from abroad and pose as servants to observe their adolescent children.

One of many adaptations of the comedy of manners written by Richard Brinsley Sheridan satirizing the gossip and scandal-mongering of London's high society.

Don Packard, an artist, forgets his country sweetheart, Martha, and falls in love with his model, Linee. The boy marries Linee and takes her to his home. Martha conceives a hatred for Linee when she discovers that the girl has robbed her of her lover. Don's father, a parson, is horrified when he learns of his son's worldly wife. When Linee realizes the trouble her marriage to Don has caused, she runs away, Martha does her utmost to stir up trouble. For two years Don searches in vain for Linee, who has become a cabaret dancer. Dupree, a Frenchman, falls in love with the girl, but she repels his advances, Don enters the restaurant just as Dupree, mad with jealousy, attempts to shoot Linee.
Driven to desperation by the enmity of Jane, her step-daughter, Sarah, Dean's second wife, turns to Ware, a friend of the family and a former suitor, for advice. Jane learns that her stepmother has gone to call upon Ware. Realizing the unhappiness her conduct has caused, the girl is stricken with remorse. Knowing that her father would misconstrue Sarah's visit to Ware, the girl hastens to the man's home to meet her stepmother. Sarah is fallen aback when Jane finds her with Ware, but is filled with happiness when the girl announces her desire for a reconciliation.

Hampton, a broker, employs a detective to investigate Stella, a show girl, with whom his younger brother Dick is in love. As a result of the detective's discoveries, Dick breaks his engagement with Stella. The woman calls at Dick's office late that afternoon. Hampton leaves the two alone. Unable to alter Dick's decision, Stella seizes a knife and threatens suicide. Dick tries to wrest the weapon from her and is accidentally killed.
Foster sister of the Duchess d'Aubeterre, Madeline, marries Jean Renaud, a French soldier, and has a daughter named Adrienne. Five years later, on a battlefield, Renaud is entrusted by the Count de Moray with jewels and papers proving that Adrienne is his heir. After Moray's death, Renaud gives everything to Madeline and then returns to the battle.

Mary's lot. always hard, becomes doubly so upon her father's death. Desiring to re-marry, the girl's stepmother conspires to get her out of the way.

Little Elsie, scarcely two years of age, awakens one morning and crawls out of the house, dragging her doll. The little tot creeps to the nearby railroad station and resumes her nap in one of the flower beds. Mrs. Hastings, a wealthy widow, is taking an early morning train, after having spent several weeks at an eastern summer resort. She reaches the station before train time and while strolling about, she discovers little Elsie. While she is fondling the little one, the train arrives and Mrs. Hastings, who has no child of her own, cannot master the temptation to take this baby with her. Upon arriving in the west, Mrs. Hastings learns from a newspaper of the strange disappearance of Elsie Mason.



