Ali AlMufeedi Movies, TV Shows, and Filmography
Ali AlMufeedi
Acting
Biography
Ali Al-Mofidi was a renowned Kuwaiti actor and director who began his career in radio before transitioning to acting. He made significant contributions to theater, cinema, and television throughout his career. In theater, Al-Mofidi took part in numerous plays since the mid-1960s, including notable productions such as The Vampire and Hello Dolly. However, it was television that truly defined his career, where he not only acted but also ventured into voice acting by dubbing animated series. Some of his most prominent TV roles include the series To My Father and My Mother with Greetings and Aunt Qamsha. In the world of dubbing, he lent his voice to iconic animated series like The Adventures of Adnan and The Iron Man. Ali Al-Mofidi passed away in 2008 after struggling with various health issues toward the end of his life.
Filmography Movies
Acting
Wolves That Do Not Eat Meat
Wolves That Do Not Eat Meat is an Arabic narrative film from the adventure and suspense films produced in 1973, represented by Izzat Al-Alayli in the role of "Anwar", Nahed Sharif in the role of "Thuraya" and Mohsen Sarhan in the role of "Saleh", and from Kuwait Muhammad Al-Mansour in the role of "Al-Saffah" Khaled Al-Saqabi in the role of “The Officer” and Ali Al-Mufidi in the role of “Al-Akhras”, and from Lebanon Silvana Badrakhan in the role of “Linda” and Les Sirkisian or actress Iman as she was known later in the role of “Nihad”. And directed by Samir A. Khouri. All the movie clips were shot in the State of Kuwait.
The Cruel Sea
The first feature film to be made by the state of Kuwait. It is a period piece about Kuwait before the discovery of oil when fishing was the predominant occupation. Bas Ya Bahar is the story of a crippled pearl diver who forbids his son Mussaid to go to sea to dive for pearls.
Al-Qarqor
The Fish Trap Kuiwit Play
With Apricots
A Kuwaiti family offered the upper floor of their house for rent, then later there was a housing crisis and the children of the family became of marriageable age, and from here the problem of acquiring the upper floor begins, first, with the solidarity of the family members to take out the lessor, and secondly, the conflict between the sons of the same family to acquire the upper floor
Santaron Bantaron
What was the impact of the emergence of oil on Kuwait in particular and on the Gulf society in general? How did people behave? What were their customs and traditions?! What was the impact of oil on them, bringing about many changes? The play deals with one of the Kuwaiti villages overlooking the sea, in the late forties, when World War II was ending, and the State of Kuwait, and the Gulf states in general, were preparing to move from the sea - to depend on their livelihood - to the land and desert, where oil began to flow, and with it flowed new customs, different behavior, and ideas that Kuwaiti society was not familiar with.
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