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Documentary about Italian cinema.
In 19th century southern Italy (near Melfi, Basilicata), a small force of soldiers fight in the hills against the bandits who are holding their country to ransom.
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.
In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.
Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.
A Frenchman finds his runaway wife on an island in the Pacific.
Andrea Zaccardi has returned home from hunting. He and his wife Luisa are very close. Their young son Giulio develops a cough. The doctor recommends the seaside. Luisa leaves with Giulio for several weeks. Andrea stays to work at the metal shop.
A series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome. Like the more famous version made by Federico Fellini, an adaptation of Petronius' Satyricon.
A poor laborer, Zilio, wants to marry Betìa, the daughter of a rich peasant woman. After a number of refusals Zilio is desperate, but his friend Nale plots a sham marriage between the two, convinced he can take advantage of it.
Five unrelated tales: (1) "The Ravishing Queen" / "La Reina Bella", in which the queen choses a king by devious endurance tests of the pretendants; (2) "The Punished Lovers", in which a fake blind husband is 'cured' after having the culprits banished from the tribe; (3) "The Old Prostitute" who manages to take revenge from all the village dignitaries who wrongfully condemned her brother; (4) "The Endless Search" that does not end until a hunter finds his perfect end-game; (5) "The Crazy Woman" whose illness was not exactly of the mind, but of an (almost) insatiable lust.
Silvia is young, beautiful and rich. When her husband goes on a business trip, she starts working as a secretary for Margaret, a famous film star. Margaret appears to have no problems giving her what she wants and turns her into a sex slave- little by little, she subjects herself to increasingly serious humiliations in a masochistic relationship.