A "milieustudie" about a girl going to the famous Cafe Odeon and trying to make ends meet.

Five people have stolen a priceless, legendary emerald from a religious temple. One of them is slain by an unknown killer.

Gessler, the Rütli Oath, the apple shot, the Hollow Lane: the deeds of Swiss national hero William Tell in his fight against tyranny and violence in 1291. Based on Friedrich Schiller's drama and Aegidius Tschudi's chronicle.

Verkrachte Existenzen is the title of a German drama from 1924.

A poor family with 6 kids that live in a ramshackle hut are suddenly offered a nice flat for cheap - with the landlord hoping they'll drive away their new neighbors whom he wants out of his building.

After the death of his parents, Beat Matter grows up with the Escher family. Their son Dominik is his best friend. As a young man, Beat enlists for two years of service with the Papal Swiss Guard in Rome. Shortly before starting his service, he meets Dominik's fiancée Jacqueline at an Alpine festival. He falls in love, even though he knows that Jacqueline is already promised to someone else.

Cheeky Jette is a typical Berlin girl. Together with her mother, she performs couplets in a Berlin suburb theatre every night. Then, a young Austrian baron, who is worshipping Jette, enables her to audition for Königstädtisches Theater. Although she at first fails with an aria from an opera, Jette wins over the hearts of the board members with her fresh style when she performs a cheeky couplet that was written by Barsch, the stage manager of the suburb theater.

A hooded serial killer finds a novel way to murder his victims--he lashes them to death with a whip. The police try to track him down before any more murders occur.

On February 4, 1936, Wilhelm Gustloff, leader of the NSDAP, was shot dead in Davos. His assassin, 27-year-old David Frankfurter, wanted to use the action to highlight the persecution of the Jews. This docudrama describes with great precision the events leading up to the fateful day and the trial that followed. The film was selected as the Swiss entry for the Best Foreign Language Film at the 48th Academy Awards, but was not nominated.