Father Ubu, grotesque king and symbol of the tyranny of power in Ubu king, decides to become a slave to acquire real power. This is the first sequel to "Ubu roi" (1965) directed by Averty.

Based on Alfredy Jarrry's 1896 play about a greedy, overweight, selfish dude named Pere Ubu. The story follows Ubu on his journey to overthrow the current ruler and become King of Poland. Along the way he betrays many of his followers, taxes the civilians to an unreasonable degree and eventually slaughters everyone. Along his side, is the equally crude but somehow more likable Mere Ubu, who's like a foul mouthed Lady Macbeth.

Primitive, cowardly, greedy and fame seeking father Ubu, persuaded by his wife, mother Ubu, kills the honorable king Wenceslas and his family. This makes Ubu king of Poland. In the beginning he is popular and showers his subjects with gold coins. But, later on he brings on himself peoples rage when he decides to kill all the noblemen and officials and introduces unreasonable taxes. Russian czar Aleksey starts a military campaign against the bloody despot Ibi. After a defeat, Ubu and his wife escape to France.

An extraordinary cut-out-and-move adaptation of all three of Jarry's Ubu plays. The characters are caricatured almost to abstraction- in the opening scene Ma Ubu is even depicted as a bug, Pa Ubu has a massive jaw and a microcephalic brain case.

Pere Ubu, a monster of stupidity, is incapable of the slightest intelligence. But his bestial force is manipulated by a diabolical creature: Mother Ubu... This adaptation of Alfred Jarry's work is performed by the Petit Théâtre de Marionnettes de Nantes, with the voices of Jacques Fabri, Michel Roux, Roger Carel , and Antoine. Broadcasted on French TV.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

A cruel picture of the ways in which human beings acquire power and then cling to it. The story of Father Ubu, an idiot who climbs over the bodies of the dead to his royal post, is presented with a touch of the grotesque where naive comic elements meet black humor. Using a human touch, the film- makers were able to transform the original into a film aimed at a contemporary audience while remaining faithful to the vision of Father Ubu and Mother Ubu venturing everything in their efforts to seize power and mammon.

A television recording of a theatrical production of Alfred Jarry's absurd drama about the gluttonous, gluttonous, compulsive and unscrupulous Father Ubo, who, with the generous advice of his ambitious wife, gets rid of the Polish king and seizes his throne. He establishes a reign of terror in which he only cares about his own benefit, so it is not surprising that the people rebel against him. The recording was made at the end of July 1968 and, thanks to a copy saved from destruction during the normalization period, was first published in 1990.

Two men meet in a park: Haldern has on a black balaclava, while Ablou is wearing white underpants. The film is based on choreography by Daniel Larrieu, who was invited to "play with the story board" of Alfred Jarry's book "Haldernablou", with illustrations by Tom de Pékin.

Ablou is a young man prisoner of a dream and a park. He meets strange characters who try to lock him up a little more in this long sleep.