Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Saw and imagined in the children's fantasy the story of grandmother of Christ and the Apostles a little girl. Today few people remember that just a few decades ago in the village houses next to the icons you could still see the popular prints on religious themes. They finally disappeared from use only in the 60-ies of the last century. Of course, their creators were not professional painters or connoisseurs of theology. Drew, as best they could, she felt, not knowing neither rules nor laws. Simple uneducated people, nuggets, sought to glorify God with their creativity, that resonates in the hearts of those of peasants or artisans as they are.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

By knowing oneself, a person knows the whole world. Refusal of self-knowledge distances a person from God. What does a woman seek in a man's world? What passionate and vague dreams control her? The painful search for the Ideal in an imperfect world is realized by a love triangle. While men measure their strength in the fight for a woman, her subconscious has already equalized them in weakness, because next to her Ideal, they are both just insignificant shadows. Perhaps the reason for the collapse is the very existence of an abstract Ideal, which inevitably gives rise to a comparative analysis of the surrounding men, and, as a result, the impossibility of choice. The happiness of motherhood for this woman lies in the absence of a reason for comparison, because the child is certainly pure and beautiful.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).