Twenty-five years after the genocide of Tutsis in Rwanda, filmmakers visit a country still haunted by the massacres of spring 1994. A group of inmates try to understand what made their participation in the fourth genocide of the 20th century possible. In Kigali Prison, some testify about their abuses against Tutsis. Directed by Violaine Baraduc and Alexandre Westphal as part of a thesis on the participation of women during the genocide, the film questions the generalization of violence to all layers of Rwandan society.

After meeting at a party, Isaac and Ava spend the night walking in the cold Parisian winter and fall in love without even realizing it. But Ava has to go to Brazil the next day. As he waits for her alone, Isaac learns that Ava's plane has gone missing.

After meeting at a party, Isaac and Ava spend the night walking in the cold Parisian winter and fall in love without even realizing it. But Ava has to go to Brazil the next day. As he waits for her alone, Isaac learns that Ava's plane has gone missing.

Tarek Lakhrissi’s futuristic narrative Out of the Blue takes place at a radical moment in time, when a politically conservative era is suddenly coming to an end. Lakhrissi avoids traditional apocalyptic narratives to meditate instead on the nature of transition itself. In the final scene, the film’s central character delivers a thoughtful speech exploring ideas of freedom and liberty, self-determination and queer futurity.

On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.

Getting married to Enrico Macias' daughter, I didn't know that, 30 years later, I will still be mad at him for turning our wedding into an excessive show. When I watch my wedding's footage, I realize that I started a family at that precise moment : two sons, a break-up, three daughters, another break-up, a loss.

In a small office cluttered with books and other detritus of the writer's life, filmmaker Alexandre Westphal and the writer Percival Everett explore his work. Archival images are projected onto the walls, invading the space and intermingling with Everett's text, to illuminate many of the myriad and fascinating ways that his books reveal contemporary America to itself.

Thirty-something Mehdi is a safecracker. He and his mates are just trying to get by, but robbery isn’t paying like it used to. Day to day Mehdi tries to be a good son to his mother, and a good father to his 1-year-old son to win back his ex, Sarah.

Gauthier, a young journalist, learns from his mother that he is the illegitimate son of Guy Jamet, a popular French singer whose heyday stretched unevenly from the 1960’s to the nineties. Guy is currently promoting a new album of old material and heads on tour. Armed with a camera, Gauthier decides to follow Guy, recording his daily routine and his concerts to create a documentary portrait.

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.