A man and a woman at an art exhibition share a fleeting moment of attraction, which neither can act upon. Days later, a chance second meeting leads to an innocent coffee and the two strangers – both married - toy with their unexplainable fascination for each other. Svenja is curious and finds herself in a hotel room with Roland, but she does not consummate an affair. A powerful executive at the large bank where Svenja's husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist...

Rolf Dieter Brinkmann was a celebrated and iconoclastic German poet who brought the rebellious attitude of the Beat Movement to Europe in the early Sixties. Having no use for the sentimental poetry and burdens of moral responsibility that permeated post-war German, Brinkmann's verse depicted contemporary life with a bold immediacy which also informed his work in film, photography, visual art and audio collage. Brinkmann's life outside of the public eye was every bit as turbulent as his public image, though in different ways -- he had a stormy relationship with his wife and their son was severely handicapped. Filmmaker Harald Bergmann wrote and directed Brinkmanns Zorn (aka Brinkmann's Wrath), a biographical drama which stars Eckhard Rhode as Brinkmann and Alexandra Finder as his spouse. Brinkmanns Zorn was screened in competition at the 2007 Rotterdam International Film Festival. ~ Mark Deming, Rovi

The story of a young couple who live in a small town with their four-year-old daughter. The husband is so caught up in his work as a policeman that he gradually becomes increasingly alienated from his wife and daughter who become ever closer to one another as they discover the new town. It is only a matter of time before the conflicts within the family manifest themselves.

Nina and friends are stalked by a masked killer while vacationing on an island.

When 12-year-old Jonas’ mother leaves to “fight her demons”, he steps up as head of the household, becoming the unofficial guardian to his younger siblings. With food and money running out, the children retreat into a world of their own where, cloaked eerily in black-and-white, their home turns into one of bugs and mysticism – they make saucepan gardens, they take on insects as pets and spiderwebs encroach. Only the friendship of an odd young homeless man gives Jonas hope to survive in an adult’s world.

Life seems to be kind to criminal psychologist Cathrin Blake: a tender love affair has developed from the acquaintance with the charming Matt. Professionally, however, Cathrin faces a tricky case: A year and a half ago, the renowned psychologist Helen Bell disappeared without a trace.

Eight people gather at a homestead in the middle of nowhere to celebrate a feast together. It is the family members and closest confidants of Anton, who fled from his life a few years ago, broke off all contacts and now unexpectedly invited to his 30th birthday. In joyful anticipation of the prodigal son, those left behind try the spirits of the past.

Elisa and Anthea support each other through the difficulties of adolescence. But their innocent friendship soon turns into co-dependency and to maintain their cohesion, they develop a dangerous game with a camera. Eventually, their game turns them from victims into offenders.

Based on the best-selling psychology book by Paul Watzlawick, the film tells the story of Tiffany Blechschmid, a neurotic, moony, superstitious, contradictory and, no surprises here, single young woman in her late-twenties.