The film is about Alexey Popogrebsky's film "How I spent this summer". In the film, there are no tedious reflections of the actors and the director about their film against the background of posters of the same film. But there is life itself, real, unmasked, and, despite the sea of comicality, it makes you horrified at how the Russian film process can take place…

Alexey Navalny began his election campaign in the regions of Russia with a trip to Murmansk. Thousands of citizens came to his rally, and in the rain. This is the success of local activists who organized the rally and selflessly campaigned. Alexander Rastorguyev and Dmitry Kuvaldin spent several days together with the coordinator of Navalny's Murmansk headquarters, Violetta Grudina , an LGBT activist who was attacked because of her sexual orientation.

These are the stories of the three guys,three friends, living in a city in the south of Russia. In the course of a year they recorded their everyday lives with a small HDcam. This record is what comprises the movie and to what it is dedicated. Our heroes are eighteen years old and they live average lives: work, have parties and, fall in love. But finally they will have to make those most important of personal choices which will define their future.

A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.

How is it possible to feel someone elses pain? The hero of this film is an autistic boy. His life is divided between an apartment with peeling walls on the outskirts of a large city, and a mental hospital. Anton comes into the frame when he is on the point of becoming a patient at a residential neuropsychiatric institution, a place where people with the sort of diagnosis that he has do not live long. The author, the camera, the hero. The distance between them shrinks with every passing minute, and the author has to enter the shot and become a character in the story. However, it is not a story about how one person helped another, but about how one person recognized herself in another. About how there is Another who lives in each of us and must be destroyed every day inside of us in order to survive.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Irina Gora, without a roof over her head, at the age of 39 inadvertently gave birth to her friend's son. Vanka turned out to be smart. We have been observing him, eight years old, from the moment of his birth. A kaleidoscope of events: a zoo, marmons, a city bath. But everything in the life of mother and son turned Vanya's letter to Putin.

Producer Aleksey Pivovarov and director Alexander Rastorguev started working on a documentary film dedicated to the 80th anniversary of Norilsk Nickel, moving away from the traditional form and choosing the web-doc genre. As a result, the project team created an interactive website, norilskfilm.com, filled with many short stories, archival materials and virtual panoramas.

Competition for the post of personal secretary.

Gora is a frail middle-aged woman who works as a janitor in one of the sleeping areas of Rostov-on-Don. She has neither a residence permit nor a medical policy, and in order to somehow save money, she lives with a friend in a barracks for 500 rubles. The two-storey densely populated hut survived only because it stood in the landfill for its entire history. People have been living here for more than forty years. They grow geese and goats in summer kitchens, boil themselves, drink, love, die. A nunnery is located a hundred meters from the barracks. There are 15 girls of all ages in it, in essence, this is the same barrack, only completely whitewashed and surrounded by a brick fence. They say the abbess is a former prison guard. Passion is no worse than in the cool Mexican series.