
Directing
Director of fiction and documentary cinema, TV presenter. Recipient of five TEFI awards (for the programmes “Closed Screening” and “Gordon Quixote”), prize-winner and participant of domestic and international film festivals. Born in 1964 in Obninsk. In 1987 graduated from the actor’s and director’s faculty of Shchukin Theatre Institute. From 1989–1997 presenter of popular programmes on Russian- language TV and radio in the USA. Since 1997 works at Russian television. In 2002 made his debut feature “The Shepherd of His Cows” (prize of the 9th Russian film festival “Literature and cinema” for best debut). “Brothel Lights” (2011) received the audience sympathy award at the IFF Pacific Meridian, a diploma at Kinotavr, and was nominated for the Golden Eagle and NIKA awards. Author of documentary films “End of the Century”, “Collection of Delusions”, “LDPR. 20 Years Facing Russia”.

Set in the ground zero of gangster globalism and driven by a truly manic energy, Generation P is at once a comedy, a tragedy and a fantasy about the rise of a poet-turned-adman through Russia’s nascent advertising business during the Moscow roaring 1990s.

Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.

Most of the action of the film takes place in the studio of a talk show, where a political scientist, a patriot, a pop star and other characters, led by the host, discuss the figure and legacy of St. Sergius of Radonezh. In the midst of recording, the Presenter suddenly finds out that his program is being closed. Having decided that he has nothing to lose, the Presenter goes all in and seeks, first of all, to "expose" the church, the authorities, and his interlocutors... But the effect is not at all what he expected. In the heat of a lively and even furious polemic, we begin to see the true Sergius of Radonezh, and in episodes of history, as in a mirror, we guess the problems of modern Russia.…

The story of a famous actress who had an incomprehensible attack on the set somewhere in the countryside and was urgently sent to a rural hospital. There she spends a sleepless night in complete obscurity and decides that she is leaving this world. The actress calls all the close people with whom she talks very openly, believing that they should find out the truth.
There is no idle glorification and unnecessary chanting in this film. This is a clean, open, clear and truthful picture of the LDPR. The film reflects all the strength, power and energy of the Liberal Democratic Party of Russia. The film was shot all over the country — from Kaliningrad to Vladivostok. The film was created by the famous journalist Alexander Gordon. "20 years is already a biography," LDPR leader Vladimir Zhirinovsky said at the presentation. — The film is a memory of those 20 years that our party passed. During this time, hundreds of thousands of LDPR members and millions of supporters have joined our ranks." The film "20 years facing Russia" was created on the eve of the 20th anniversary of the LDPR.

Bite, a cockroach who lives in a computer processor, must prove himself and survive the ongoing battle between predator-like street pigeons and beetles to win over the girl of his dreams.

Andrei Tarkovsky said, “I find it hard to imagine the inner world of women, but I think it must be connected with the world of men…”

An almost Chekhovian story about a once successful director making his last film, in spite of everything and everybody, in his country house. Strange guests, vain actors, somewhat eccentric neighbours and the director are reason enough for the author’s irony, and sometimes sarcasm. And you remember? Chekhov’s guns always fire!

Alexey is shooting a movie about himself. He is in search of a boyfriend. Everything would be alright, if Alexey's mother could accept his sexuality. Alexey comes to visit her and admits that he likes boys, saying 'Don't you anticipate any grandchildren from me'. We find Alexey at Tarkovsky film festival, where he apparently came to rest. Alexey meets Grisha, and a stormy holiday romance begins.

The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.

In the 1950s Odessa a charming woman is running an underground brothel. She's tired of the business hassles and is dreaming about having a family. Finally the destiny gives her a chance, but there's no way out.

The hero of the picture decides to fall back to his native roots and leaves the capital for the village. But this does not bring him the desired freedom – he suffers one defeat after another...

An almost Chekhovian story about a once successful director making his last film, in spite of everything and everybody, in his country house. Strange guests, vain actors, somewhat eccentric neighbours and the director are reason enough for the author’s irony, and sometimes sarcasm. And you remember? Chekhov’s guns always fire!

An almost Chekhovian story about a once successful director making his last film, in spite of everything and everybody, in his country house. Strange guests, vain actors, somewhat eccentric neighbours and the director are reason enough for the author’s irony, and sometimes sarcasm. And you remember? Chekhov’s guns always fire!

An almost Chekhovian story about a once successful director making his last film, in spite of everything and everybody, in his country house. Strange guests, vain actors, somewhat eccentric neighbours and the director are reason enough for the author’s irony, and sometimes sarcasm. And you remember? Chekhov’s guns always fire!
There is no idle glorification and unnecessary chanting in this film. This is a clean, open, clear and truthful picture of the LDPR. The film reflects all the strength, power and energy of the Liberal Democratic Party of Russia. The film was shot all over the country — from Kaliningrad to Vladivostok. The film was created by the famous journalist Alexander Gordon. "20 years is already a biography," LDPR leader Vladimir Zhirinovsky said at the presentation. — The film is a memory of those 20 years that our party passed. During this time, hundreds of thousands of LDPR members and millions of supporters have joined our ranks." The film "20 years facing Russia" was created on the eve of the 20th anniversary of the LDPR.

Lev Nikolaevich, Levanka, Levochka, as his many friends call him, is a successful, glamorous, Moscow photographer. He's smart, good-natured. And he is an absolutely cynical person who can be rude to people. He lives in a world where talent, success and fame are valued above all else. At the same time, he is very childish, but does not realize this. The childhood fears are still inside him.
